acrylic and tissue paper, screen, lacy rice paper collage on w/c paper 10 X 11″
Inspired by a poem of Rumi and an interest in playing with translucent papers in some way, I folded tissure paper accordian style and wrote a line of Rumi’s poem on each fold, then secured it in a pouch. Oh, just a lot of fun playing with materials on a lovely rainy spring equinox day with my delightful Muse sisters.
Citrasolv cleaner “melts” the clay based inks of National Geographics in the most stunning way. I keep circling back to the Citrasolv collage lesson, which has to be started outside when the weather is warm and not windy. . .like last Monday.
National Geo papers collaged on w/c paper, 10 X 11″
Are you caught, tangled , running into hidden snares everywhere? Tread carefully. Watch your step, or when you fly, land carefully. This life thing is tricky, at times sticky. It takes a lot of maneuvering to get yourself free once entangled.
So why not become the one who unties the knots, releases the locks, opens the door and gets to say “You’re free now. Go for it!”
If you want to try making these papers yourself, there are lots of how-to videos online. My favorite papers are the ones that have some picture peaking through, like the guy in blue above. And sometimes a page is so gorgeous by itself that you wish you’d painted it! You can also use the Citrasolv concentrate to wipe off spots of ink, using a stencil or a brush.
See more examples of my Citrasolv art on this blog.
It is a bit of a rush to see all those names of familiar people popping up on Facebook to wish one a happy birthday. So if you are one of them, THANK YOU! March 13 often lands on some spring day heady with perfume and buzzing bees and. . low and behold, this year the sighting of the first Pipevine Swallowtail butterfly which was flying in ecstatic curves and dips. I had to wonder if it had just dried out after emerging from its papery frock.
All the spring art coming out of Muse Group has a strong nature tilt. This one is from last week.
painted with water and charged with inks, with collaged papers on w/c paper, 10 X 11″
The sun rises and sets on this kingdom of nature. There can be a fair amount of strutting about here, of gorgeous posturing and preening (It’s not the kind of false showing off and pontificating we find in humans)
It takes a wise one to know what are empty declarations and what is truth worth hearing. There are no fakes among these birds in the shallows. I’ll put my bets here on the waders.
The lesson was drawing with a brush loaded with water, then charging in inks and watching them blend. I was using Higgins waterproof inks which blend so beautifully. I had a book open to some bird pictures while painting the large bird and the ones in the background and enjoyed making up the little ones. Pick your breed of bird! You may not find these anywhere else.
This was some playing around I did to get ready for the lesson. The top ones are a kind of rohrshach, pressing another paper onto the wet painted image to transfer it. I liked the lacy edges I got that way.
Eggs are an old favorite subject of mine, back into the days when I started each morning collecting the eggs in the coop behind my studio. My studio is studded with birds’ nests in many corners. I like to make nest art and imagine myself a fluffy wee chick bedding down in one.acrylic inks, collage on tissue paper textured w/c paper, 10 X 11″
the river of gold melts
comes again as grasses that dry out and
comes again as birds’ nests that fill with eggs
comes again as baby chicks
and always as the river of gold
everything in the process of dissolving and being born again
The Muse Group lesson here was making a paper textured support to paint on. I chose my old favorite. So simple. Paint the whole surface of the watercolor paper (or whatever support) with matte medium.Take a sheet of tissue paper and while the matte medium is wet, press the tissue on so that it wrinkles in. Paint over with more matte medium and then let it dry. (You can cut off the overhang after it’s dry.)
We also used all kinds of fun textured fibrous papers, brown paper bag, doilies and more. One never has to limit the imagination when doing mixed media!
A new Monday Afternoon Muse Group series starts here in my studio in Sebastopol, CA on Monday. There’s space for one more if you’re interested! or ask me about dropping in when vacancies occur. More info on my website.
How do you rescue a painting going nowhere fast? Try cutting it up and using a grid layout to reposition the parts. That’s what we did last week in Muse group. Everyone had her own unique version of course, and here’s mine.
Starting out with this. . .a demo of drawing with acrylic inks and a dropper. This demo sat on my shelf with a large stack of other unfinished pieces, until I cut it up and
. . .grid-ed it. It’s rather like a game where you move the pieces around until you are satisfied. . .it took a while and I added a line and a dot, only.
Secretly seductive. Swaying to the music of grasses blowing, waves surging. Fill in the blanks. Make the connections. Play with the Rubric Cube of possibilities. Settle the eyes somewhere around the belly button. It’s a safe place to be, in the well of life’s origin, where this great mystery always resumes again.
And here another take on the grid, with some flaps and extra pieces to complicate and enrich.
I was inspired by the Sebastopol Center for the Arts”Marvelous” collage and assemblage exhibition as well as the artists showing in Gallery III, John Hundt and Sherrie Parker. So last week we did a lesson in my Muse group combining various images to create anthropomorphic and surrealistic “figures”. I tried to keep mine simple – images on white paper background with little if any paint added. The result was images that tell their own story, so I’ll show two here without my own story so that you can find your own.
Here I am trying to be refined, like some collage artists, and finding that it is preferable to use Yes paste for this sort of collage rather than acrylic gel medium because it is tackier . Consequently I found that even the heavy body gel made the paper curl up and I had difficulty with placement. Lesson learned!
Images like this are so political these days. . .
I needed this one to clear the palette, so to speak. Here are the words that came:
Innocence. Ah, it’s all coming back now! – the spinning whirl of each day – the knowledge that nature belongs to us in the same way our hands and feet do – the doorways that open to exotic new countries – the stairs we rush to take because the world is a continual treasure hunt – the butterflies we follow into their worlds of fragrant blooms and dizzyingly nectars.
I’m starting a new Monday Afternoon Muse series March 6 in my Sebastopol, California studio. Visit my website for more info and to contact me if you are interested!