Everyday Sketches

Intro to Sketching in Public (Sebastopol)

It’s always a crap shoot to schedule an outdoor sketch workshop in March! But somehow we slipped between the rain storms for an idyllic weather day last Saturday in Sebastopol town for the Intro to Sketching in Public workshop. We took over the stage area on the Plaza for the introductions and then spread out in the plaza for the morning of demo and sketching.

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We look at bit bundled up here, but it was warm in the sun. After some drawing warm ups I demonstrated continuous line drawing and shared thoughts about how we decide what to put in and what to leave out of a quick sketch.

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I certainly left out more than I put in! All those cars and benches and things. I’d still be there sketching if I’d put them all in!

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Lunchtime and the afternoon was spent in the Barlow where there’s plenty to eat and sketch. I picked a spot across from a clothing shop for a 5 minute sketch and then added the color in a demo later, adding splatter and white pen detail with the Uniball Signo white pen. Once again I left out way more than I put into this scene, capturing only the “bling” that attracted me.

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Last stop of the day was in front of everyone’s favorite coffee shop, Taylor Maid, and the Floral Design shop. There are still areas of the Barlow that are undeveloped, like this scene from bygone years across the street  And if you can tell me what it is, I would appreciate knowing. Does it have something to do with apples? Grains? Wine? Beer? None of the above?

Sketching at home

When it’s not the season for travel or time for local event sketching, there’s always what is close at hand. I no longer sketch my food and drink, which is recommended by some of my favorite luminaries such as Danny Gregory and Liz Steel. But I’ve had my eye on the rusty mailbox next door, and then there’s always the goats at the bottom of the hill.

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Lamy Joy fountain pen and watercolor in soft cover Beta Stillman + Birn sketchbook

And then there’s the town I live (outside of), Sebastopol, where I’ll be teaching two workshops this spring. The first is “Introduction of Sketching in Public” on March 25th. So I’ve been wandering around town with the eyes of a tourist sketcher to find what one could capture quickly in a workshop setting.

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A lovely water fountain in the plaza and an exercise in connecting it with the background while leaving out most of the rest of what was there! That’s the hard part.

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I found a bench in the sun and had a few minutes left to doodle some people. I often end up liking these “doodles” better than the more finished ones. You’d think I’d learn.

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But another day I had more time, and a good spot to sit with a friend and kept sketching awhile after my subject had left. Of course they always leave before you’re done!

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fountain pen and watercolor in Toned Tan Strathmore Art Journal

And then there’s always the selfie. This one done while on an hour-long phone call in front of my computer (one looks for time where it is to be found), which might account for having lost a bit of the top of her head. Oh well.

I’ve had people tell me I should paint more attractive self portraits of myself, but this is so much more amusing. I think I feel a series coming on. After all, you don’t have to pay this subject to sit and she’s always available to sketch live!

Day 5: #OneWeek100People2017

Golly, I hope you’re not too tired of seeing all these people sketches. Yesterday was the final day (of 5) to get in the 100 people sketches. For a last minute spree Bettina and I sat/stood in the loft at Taylor Maid coffee in Sebastopol, the perfect place to catch people at that interesting angle looking down. A bonus is that no one looks up to see that you are sketching them!

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Platinum Carbon fountain pen in Stillman +Birn Beta sketchbook (soft cover)

This is a tricky angle because we’re so used to sketching at eye level that we don’t get the perspective right. Her legs were probably not that long when seen from above.

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I kept trying to capture the hand gestures as people talked to each other and only occasionally caught something before they moved on. I think if I sat for 3 hours I would probably have a chance to jump in fast enough. The hand is such a complicated structure that it requires quite a bit of study and practice in itself. I’ll put that on my (endless) to do list!

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It’s always more fun to sketch with a friend, and we had lots to discuss, but when the brain is tied up with such talk, it’s not as able to access the critical measuring and comparing part of drawing, so here I was getting sloppy. Determined though to get this woman’s hand gesture!

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This beautiful young woman reminded us so much of the lasses we saw in Ireland last summer. She was animated in every part of her body as she conversed with the young man opposite.

Painting in the red hair later seemed to rescue this sketch. I mixed up a puddle of yellow, red and a tad of blue and put some skin color in so the sketches seemed a bit more “human” and left it at that.

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Once again, not having to draw the face made it easier to get the gesture and foreshortening. Sometimes I find that my line gets squiggly from the excitement of the moment. The line takes over and wants to describe something quirky. O.K., I say. GO for it!

Day 1: 100 people sketch week

There’s a lot of sketching folks out there this week rising to the #OneWeek100People2017 challenge! So I couldn’t resist. It’s actually a five day challenge, which means 20 people/day sketched any way you want. But if you’re busy, obviously that means fast! Monday is always a very full day for me with my Mom’s group in the morning and Muse Group in the afternoon.

So sleepy-eyed in the evening after dinner I sat down to sketch from QuickPoses.com, a great online resource for when you can’t get out and sketch live. Most of these I started out with watercolor and added ink.

After finishing these I wanted to keep going but it was getting late. These poses are so great!! I think I could get addicted. And to reach the 100 goal I’m going to have to work faster and simpler. Maybe just stick to pen. Later today I’ll be in a grocery store with my sketch buddies capturing live movement with more speed and probably a lot less accuracy.

Why do this? Drawing is one of those activities that improves with quantity, like reps with those barbells or miles of walking/running/biking. And there’s a previous limitation to overcome. 100 sketches in 5 days just might do it.

I find inspiration in so many places. Here’s some of my favorites:  Marc Taro Holmes of course, and Liz Steel, and Suhita Shirodhar. They’re all blogging about this challenge this week and talking honestly about the process. Check it out! And I’ll be back every day to share my own discoveries/sketches.

#OneWeek100People2017

ARCH Art Supply Poster

Arch Art Supply store in San Francisco made blk/white posters of the sketches done by all ten of the Urban Sketch teachers who will be offering workshops in the Bay Area this spring! For more information about the workshops, check out the 10 X 10 workshop schedule. My workshop is June 10, “Sketch Vignettes to Share the Story That Interests YOU!”

Here’s the Arch poster with my sketches from the Occidental Fool’s Day Parade, which will be coming up again this year.Yes, on April first. Maybe I’ll see you there?

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A Celebration of S.F. Urban Sketchers!

Saturday was a day full of jubilation. So many things to celebrate – a gorgeous sunny day in San Francisco, sketching at Mission Creek with 60 some urban sketchers – a party at Arch Art Supply afterwards to celebrate the 5th anniversary of S.F. Urban Sketchers and their generous new sponsorship of  group – ending with the official opening of the 10X10 urban sketch workshop series in the San Francisco Bay Area. This workshop series is happening in cities all over the world to celebrate yet another anniversary – the 10th year of Urban Sketchers worldwide – with 10 local workshops. I know, its a lot. But definitely an exciting time to be sketching in the Bay Area.

The workshops are filling up fast, so take a look at the offerings soon if you’re interested. I’ll be teaching workshop #10 on June 10, Sketch Vignettes to Share the Story That Interests YOU!  In this workshop, held in the picturesque west Sonoma County town of Freestone, we’ll use ink and and watercolor and explore tools for quickly getting to the story YOU most want to tell in your sketch using ideas of vignette design. Visit my website and contact me for more information and I’ll tell you how to register.

missioncreek fountain pen and w/c in 8 X 8″ Hand.book sketchbook

I get so excited when I’m in the city and want to go for the big picture, even if there’s no time for details. Imagine the S.F. Bay right behind the stadium and entrance.

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There were soo many sketches of this houseboat! I think it was the antlers that attracted us all, along with a lovely strip of grass in the sun to perch on our little stools.

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Sketch with me this Spring!

To all you wonderful visitors from all over the world, I wish you were closer (or I was closer to you). But if you’re local to the S.F. Bay area or coming to visit, you are invited to our charming and slightly quirky little town of  Sebastopol (and environs) for some on-location sketch workshops with me this spring. Registration is open now! Here’s the scoop.

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To register for any of these workshops contact me.

And this is just part of what’s happening in the Urban Sketcher universe this spring. To see the rest of the workshop offerings from wonderful and diverse teachers around the S.F. Bay Area, visit Urban Sketchers.org. 

But don’t worry! Even if you live on the other side of the planet from California there will be sketch workshops closer to you this spring, in over 30 countries on several continents. I get goosebumps just thinking about it. You can find all of them on the Urban Sketch website here.