acrylic and collage

Transparent Overlays

I’m still catching up on Muse Group demos from June. I had promised in the last class that we would do image transfers, but realized that it’s better to have another week to work on them, since the technique can sometimes create some false starts. So instead we used transparent overlays.

This is a great technique to use when you’re not comfortable with your drawing skills but want to incorporate a drawn image into your painting surface. Trace the image you want onto a transparent overlay, which could be regular tracing paper, light-weight “rice paper” or Dura-lar (the acetate alternative).  Move it around on the painted surface til you find the sweet spot where the paint shows through to advantage and glue it down with gel medium.

The bird here was my tracing. The paper became transparent when the medium dried so the underpainting shows through.

senorita

acrylic inks, transparent image overlay and other collaged paper on w/c paper, 10 X 11″

This señorita keeps her song going all June long. Dresses herself in colors each day, strutting along the limb, doing the limb-o all warm and fluid like an island girl. She keeps one eye on me and wonders why I wear a long face some days, when there’s always a heady fragrance and new tune to dance to.

Come eat your lunch with me, she says. Pura vida! What could be so bad anyway?

Well, don’t get me started, little bird. Don’t you read the newspapers?!!

Nevertheless, I appreciate her concerns, and so I’ve taken to eating my lunch outside under the flight pattern of birds between the bird feeder and fountain where they bathe. It goes a long way to lifting those cares.

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Texture+Paint+Cut+Paste

Sometimes the greatest successes in mixed media painting are repurposed “experiments”.

We were doing the gesso texturing method called “decalcomanie” in Muse Group. Slather gesso on the paper, put another paper over it to “pull” the wet texture out to create a rough painting texture when dry. Then paint wetly over it.

shroomsr2 acrylic over gesso texture with collage on 10 X 11″ watercolor paper

A rush of golden energy punctuated with silver whisperings. It’s not time to lie down. This is the ‘shroom dance of spring, the spores rising and settling in a fine mist. It’s time now to wake early and watch the birthing of these golden days.

This painting was not the beginning. It started with various textures painted on two pieces of paper. The first (below) was a class demo/sampler of different acrylic textures, with pumice and sand and molding paste. It got very confused the more I tried to “finish” it.

shroomsrough

See what I mean? I liked the mushroom (‘shroom) theme and cut this painting up.

Can you find the mushroom (later modified somewhat) that landed in the first painting when this one (above) was cut to pieces?

shroomsr3

Now I have such an abundance of choices to collage into yet another painting in the series.

I also went through my collage file to find other elements that could be added.  Can’t wait to work on this some more. It’s an invitation to “build” another painting with the most interesting materials.

Self Portrait in the Wild

My bird feeders are busy stations these days. There’s the mixed birdseed one, the Nyer seeds for the smallest birds and the blocks of suet laced with seeds and fruit. They swing with activity throughout the day. Oh and then there’s the hummingbird nectar as well. So small wonder that when we did the crazy self portrait lesson in Muse Group this week, my own went over to the feathered side, yet again.

netted

Photo of self at Photo Booth using Comic Strip filter, printed in black and white, cut and collaged onto w/c paper with other collage and paint, etc. etc.

I am captured, captivated, taken over by dreams of those feathered ones who have been whispering in my ears for years. I am captive to my earthbound ways, my rootedness and groping for stability. Though I fluff my hair and imagine wings stretching out, open, ready for flight, I never quite make it into the air, but stand and watch as my feathered relatives soar and dip and perhaps look down on me with compassion for my flightless state?

(Can you tell which eye is mine?) I’ve been teaching wacky self portraits in Muse Groups for years and it always gets us laughing! How different it is from what happens when you look in the mirror in the morning, trying to get your hair right while noticing some new puffiness or wrinkle.

In the next series of Monday Muse Groups which starts March 19 I’ll be teaching Smoke Painting, the esthetic of Wabi Sabi art featuring textures and patina, and painting with water shapes charged with pigment. There are still openings at this point, so I hope you’ll be able to join. For more information and to register visit my website.

Here’s an old video I made of student self portraits, which I’ve watched so many times with giggles.

Screen Shot 2018-02-16 at 5.27.40 PM

 

Muse Group Begins Again. . .

The Muse Group is a mixed media painting adventure class that I’ve been teaching ongoing for about ten years or more. On Monday this week we started a new session  with gessoed watercolor paper because it leaves a longer working time with the acrylic. And we employed lots of not-brush application methods like rollers, and toothbrush and fingers and scrapers to “lose control!” happily.

splashdemo: fluid acrylic on gessoed watercolor paper 10 X 11″

I tried demonstrating the alcohol technique but had squirted the acrylic on the paper too thick and only got a trace of the alcohol textural effect at the top here. In my choice of colors and splatter I was definitely still feeling the crashing of surf against the rocks from the beach walks of last week.

In my second piece I was trying to redeem myself and get the alcohol spray to work! And once again still at that beach I remembered my encounter with two ravens. One of them was haughtily pulling plastic (dog poo) bags from the container on the trail. I shooed him away and returned about ten strewn bags to the holder, as the other raven sat on a nearby post cackling in a way that struck me more as laughter, as if to say “You idiot! He’s just going to come back when you’re gone and do it again. Ha ha, caw caw!”

scene5take1 Fluid acrylic and collage on gessoed paper, 10 X 11″

Scene 5 Take 1 and the curtain lifts on a pair of ravens. They’re in cahoots and we’d like to think of an olive branch offering of peace.

But they’re not white doves and the blood red beaks are a tip off. Something more dramatic is a-wing and they’re going to take advantage of it. Survival of the fittest or the loudest perhaps? But only for so long. This scene will end soon enough and the curtain will come down before we know what’s next.

The vine will continue to creep and extend its influence, and no one knows what will transpire as the curtain lifts again in scenes 6 and 7.

If you’re reading something about the current political climate into this last, I’m not surprised. Me too.

 

A-bombination

If you let one thing lead to another, you might end up with these. . .

bombinate

monoprint with fluid acrylics on BFK Rives paper and stone paper collage, 10 X 11″

Bombinate. I bomb. You bomb. We bomb. They bomb-inate [buzz and hum] and taste the sweetness of the seasons, a spicy mixture of humus and herbs.

Abom(b)ination, an assault, an intense combination of bombs and angry countries, nations in abom(b)inate mode with no nature to groove on or calm them down.

I’ll bombinate with the mushrooms and lichen, hum for world peace and try not to expect too much, too soon. Try not to be too disappointed when the bumblers don’t return and the other kind of bombing abominators get too bumbling.

Dictionary definitions:

bombinate: to make a humming or buzzing noise

abomination: a vile, shameful, or detestable action, condition, habit, etc.

You probably know what I’m getting at here without my spelling out the politics of it. The art technique of it is more fun to talk about. In Muse Group we used stone paper for the printing plate in our lesson on monoprinting.  Not the usual, but that’s what we had. The “plate” was in most cases more interesting than the print.

yellowfloweracrylic on stone paper with collage, 10 X 11″

Can you see how the print at the top is the mirror image of this one?  The stone paper is a bit like Yupo, if you’ve ever tried that. You get all kinds of interesting textures with juicy paint. Use a rubber tipped color shaper to scrape paint off before it dries. After pulling a couple prints I did some scraping and shaping and let this one dry, then added color and line and collage elements later.

The word bombinate came from interesting-word-file which I started years ago. I could just imagine the bumble bees going after the pollen in this delectable flower!

Moving on a bit

The fire contemplation persists, though not on purpose. This lady rises up on her own, appearing during a string of bad hair days, determined to use that which she has at hand to have her say.

ladyofflames

acrylic and collage on w/c paper, 10 X 11″

Lady of flames has moved on to egg laying, using ashes to adorn her hair, and pieces of bark and branches in her hat. And from this unlikely combo sprouts a bloom and a brand new egg.  How amused she is by this hat-become-nest. A new fashion. Combined with a bit of feather and frill it suits her healing spirit. And all the while a heart shaped coal burns softly in her throat, reminding her of the flame from which she so recently arose.

The fire engine red of the trucks and the fire itself has become the firey red of autumn foliage, vineyards in richer warm hues than any palette could produce. I no longer have hens, but I know that they lay fewer eggs when the days grow short. Then each egg becomes a special gift.

Perhaps an egg would heal my hair problem?

Black and White and Mazes

Getting back to black and white occasionally is like clearing the palette from rich (color) food so that one can taste with clarity again. Ha! Well that sounds good anyway. We did a lesson this week in Muse Group of playing with black and white collaged patterns.

blkwhitecamouflageacrylic, collage, black gesso on 10 X 11″ w/c paper

There are ways to deal with mazes and blind alleys. Make it a game and jump in. Have some paint ball fun; play leap frog and roll down a grassy hill. Stir up some random cyclonic energy. Run round in a circle till you collapse, dizzy and spent and laughing. Do you want your life to play like a comedy or a tragedy?

This was a kind of puzzle I wanted to play with, combining an image of a maze or labyrinth (few of us knows the difference) with a dancing figure, engaging in a kind of hide and seek with aspects of camouflage. The discovery was how amazing these bright colors look on the black and white patterning. Something a bit Halloweeny about it, wouldn’t you say?