Nature Abstractions

Mixed Media workshop coming up!

On June 24 and 25 I’ll be teaching a workshop on one of my favorite techniques – achieving the look of patina in experimental mixed media painting. At the moment my studio is strewn with my own experiments and ideas I want to share. There are a couple spaces left in the workshop at this writing. Let me know if you’re interested and available to come join us!

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For more information and to register visit my website!

Geology

My latest experiments in the art laboratory explore the territory of “patina”. They are usually a response to the query “I wonder what would happen if. . .” and in this case. . .if I wet the watercolor paper and paint into it with iridescent paints. The metallic particles drop out of solution on the wet surface causing spontaneous “events”.

geology

Lumiere’s Halo Blue Gold and Metallic Bronze and Golden’s Iridescent Bright Gold acrylics and Higgen’s Black India ink on w/c paper (with plaster of paris medallion)

The frustrating thing about these patina paintings is the difficulty in photographing the reflective paints, so you’ll have to use your imagination because they’ve gone flat in this image. The lovely blue is actually the blue portion of the Blue Gold as the gold is left behind by the water.

Imagine the treasures that surface on the trails we walk. Then again imagine the ones packed within the earth’s core. The restless imagination becomes a geologist digging deeper into that landscape, more wondrous and bizarre, that cannot be seen with mere eyes.

And then it surfaces again, to the just-enough-loveliness of everyday to sweeten this perplexing gift of life.

I’ll be teaching a new version of Experimental Mixed Media Painting: “Patina” at Sebastopol Center for the Arts on June 24 and 25. There’s still a couple spaces if you’re interested! For more information visit my website.

 

Early Spring Musings

Sometimes I just want to look at the blossoms and not remember the storms that brought us here. Look at the green and the lacy morning dew and imagine that this world is mine, as is, right now. Not just in process and needing to be weeded. Not because it all will soon enough disappear, torched by summer’s draught. But just because it is right now. . .mine.

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acrylic textures (molding pastes), acrylic inks and collage on w/c paper, 10 X 11″

It is apple blossom season here in Sonoma County. You don’t want to blink and miss it! You don’t want to miss the butterflies fluttering through the garden, drinking apple blossom nectar, mating, and laying eggs on the pipevine. Gardening is a great excuse to be outside with hands in the dirt, and art making gravitates always to these spring colors and forms.

In Muse group we were playing with a wide variety of texture making tools and many of the acrylic mediums now on the market, from molding paste and crackle paste to gels with clear flakes and pumice. You could spend a fortune in the art store gathering up the various mediums to get texture. It’s what happens when you put fluid paint over them that excites me.

I’ll be teaching a weekend mixed media workshop June 24 and 25 where we’ll be using textures like these to achieve the light casting sparkle of Patina!  For more information and to register please visit my website.

Eggs and Gold

Eggs are an old favorite subject of mine, back into the days when I started each morning collecting the eggs in the coop behind my studio. My studio is studded with birds’ nests in many corners. I like to make nest art and imagine myself a fluffy wee chick bedding down in one.goldflowacrylic inks, collage on tissue paper textured w/c paper, 10 X 11″

the river of gold melts

comes again as grasses that dry out and

comes again as birds’ nests that fill with eggs

comes again as baby chicks

and always as the river of gold

everything in the process of dissolving and being born again

The Muse Group lesson here was making a paper textured support to paint on. I chose my old favorite. So simple. Paint the whole surface of the watercolor paper (or whatever support) with matte medium.Take a sheet of tissue paper and while the matte medium is wet, press the tissue on so that it wrinkles in. Paint over with more matte medium and then let it dry. (You can cut off the overhang after it’s dry.)

We also used all kinds of fun textured fibrous papers, brown paper bag, doilies and more. One never has to limit the imagination when doing mixed media!

A new Monday Afternoon Muse Group series starts here in my studio in Sebastopol, CA on Monday. There’s space for one more if you’re interested! or ask me about dropping in when vacancies occur. More info on my website.

Drawing with Sticks

The Monday Muse Group started a new session this week with ink play using sticks carved from drift wood I collected on the beach last week.

youarethetruthHiggens Black India and acrylic inks and gesso on w/c paper, 10 X 11″

You are the. . .bomb. the explosion, the fire and the flame

You are the river that quenches, the tide pools and eddies, the cascades and falls

You are the turns and bends, the back and forth.

Quit looking elsewhere. it’s all here.

You are the bearer of the truth in layers folded in one upon another

You burn and in the burning cool.

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There is one spot open in the Monday Afternoon Muse Group if you would like to drop in and give it a try! Visit my website for more info and to email me.

There’s Always a Way

There’s always a way. . .

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ink, gesso, watercolor pencils on 10 X 10″ w/c paper

there is always a way around or through or behind

a zig and a zag to sidestep an enemy

pointers to show you the way

but look for their subtle shapes

follow them through narrow spaces

make yourself ever so small and silent and inconspicuous

there are clouds to hide in until the landscape clears enough for a bold new direction.

there is always a way

I am a champion of intuitive thinking and decision making, a Piscean, always willing to float in murky waters, swim in different directions, hanging out until an answer presents itself and feels right.

Sometimes of course this is very frustrating. I admire those who seem to know who they are, make well considered plans and carry them out successfully, especially artists who set a direction for their art and stick to it, at least for a while. I am always a bit surprised at my own successes and reluctant to take any personal credit because they seem too external.

The real delight for me is to see what happened on the paper or canvas when I was just busy trying to get the right color on my brush. Ironic then, that I would find myself in the teacher role. But I am willing to jump into the murky waters with other artists and see what shared revelations may occur. That’s what my Artful Muse courses are about, along with lots of mixed media materials and technique fun.

A new Monday Muse Group starts September 12 and there are a couple spots open at this point if you’re interested in joining. In the October 8 and November 12 mini-workshops we’ll be continuing the exploration of the Japanese esthetic Wabi Sabi.

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On October 8 the focus will be finding natural ways to apply inks, graphite and charcoal to paper, making marks with sticks and more.

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On November 12 we’ll be exploring natural textures and paper overlays. For more information about all my courses visit my website and contact me with any questions!