Nature Abstractions

A-bombination

If you let one thing lead to another, you might end up with these. . .

bombinate

monoprint with fluid acrylics on BFK Rives paper and stone paper collage, 10 X 11″

Bombinate. I bomb. You bomb. We bomb. They bomb-inate [buzz and hum] and taste the sweetness of the seasons, a spicy mixture of humus and herbs.

Abom(b)ination, an assault, an intense combination of bombs and angry countries, nations in abom(b)inate mode with no nature to groove on or calm them down.

I’ll bombinate with the mushrooms and lichen, hum for world peace and try not to expect too much, too soon. Try not to be too disappointed when the bumblers don’t return and the other kind of bombing abominators get too bumbling.

Dictionary definitions:

bombinate: to make a humming or buzzing noise

abomination: a vile, shameful, or detestable action, condition, habit, etc.

You probably know what I’m getting at here without my spelling out the politics of it. The art technique of it is more fun to talk about. In Muse Group we used stone paper for the printing plate in our lesson on monoprinting.  Not the usual, but that’s what we had. The “plate” was in most cases more interesting than the print.

yellowfloweracrylic on stone paper with collage, 10 X 11″

Can you see how the print at the top is the mirror image of this one?  The stone paper is a bit like Yupo, if you’ve ever tried that. You get all kinds of interesting textures with juicy paint. Use a rubber tipped color shaper to scrape paint off before it dries. After pulling a couple prints I did some scraping and shaping and let this one dry, then added color and line and collage elements later.

The word bombinate came from interesting-word-file which I started years ago. I could just imagine the bumble bees going after the pollen in this delectable flower!

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Fire Flow

firepourDemo for Monday Muse Group: acrylic, Pouring Medium, collage (paper, netting, “medallion skins”)

Such beauty, red, color of sunset, of ripe apples, of rosy cheeks and

Color of flames blowing this way, color of monster chewing up homes, melting down metals and tossing cars like those evil midwestern twisters.

And that Hollywood Oscars-night glow on my horizon. Dumbfounding.

A couple of days after the Tubbs fire (since anointed as the most destructive fire in California’s history) began and while it was still raging on, I tried painting the horizon in flames in the night sky as I viewed it from our living room window on that night of October 8. It didn’t work. There was no way to paint it “on purpose” because this fire was the essence of random. Add to that rampant, unconstrained and unpredictable.

Those same adjectives could be used for acrylic pouring medium which is formulated to make acrylic paints flow and level out and keep moving as you tip and turn the paper, and to keep moving until they dry, which takes a while. Pouring Medium is the name for the Liquitex brand, but Golden has their own version called GAC 800. Mix a few drops of fluid acrylic paint with the medium and you’re ready to pour, either onto your painting surface (paper here) or onto plastic in order to make “skins”, or as I like to call the more circular pools, “medallions”. Here are some of the other medallions I made.

medallionsWhen they’re dry, after a day or so, you peel them up and use them as collage pieces. The one on the lower left was made by marbling with a stick and tipping the surface. The others were made on a level surface with pouring and dropping the paint, all mixed with pouring medium.

medallions2

These involved more tipping of the surface to cause more random occurrences as in the painting at the top. You never know what’s going to happen. . . like that fire.

I’ll be teaching “medallions” and other mixed media techniques in the upcoming workshop. Contact me if you’re interested!

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This Week’s Sketch Lures

The exotic lure of passion vine. I have one growing on the outside wall of my studio. When I was doing Open Studios in the fall this vine would frequently upstage my paintings. Visitors would be snared by its seductive blooms peeking out demurely from dense foliage. They would arrive in my studio not with interest in the paintings, but anxious to know the name of the exotic bloom. Eagerly they would thrust their iPhone picture, just taken, at me for an answer.

Recently one of my students remarked on the heady fragrance from the vine, noticed even before the blooms. On a perfect early fall day this week I myself succumbed to the mystery and brought out a folding chair and my sketch gear to hang out with one particularly well situated bloom.

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I got a respectable enough but rather ho-hum sketch and was bested yet again by this showy flower. You can see my problem. Look at the palette of color and shapely forms of one of nature’s own prima ballerinas!

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Even after I tried all my cool tricks like splatter and framing and such, I had lost heart to try again. Today maybe I’ll just sit for a few minutes, allow the vine’s spell to enfold me, and celebrate its beauty without trying to copy it.

hotelmac

Every other Sunday I attend a meditation session and discourse by my Tibetan Buddhist teacher in Point Richmond, then drive home to Sebastopol. This Sunday I’d brought my sketch gear and took some time to eat lunch and sketch in the tiny town square. Point Richmond, even with its proximity to San Francisco and Oakland, has maintained a delightful small town ambiance with much of the cultural diversity and artistic interest found in other areas of the Bay Area. My plan is to work my way around the couple blocks of the town, enjoying some Sunday sketching as long as the weather holds.

 

Mixed Media workshops this fall!

There’s always ideas percolating for mixed media lessons I’d like to teach in my Monday Muse Group and weekend workshops. For instance, inspired by Gustav Klimt, whose gilded paintings will be shown this fall in an exhibition at the Legion of Honor in S.F., we’ll be working with metallics. . .then a simple form of monotype printing and the very popular “stick painting” where we make expressive mark beginnings with carved sticks. . .then exploring color transparencies to get that eye saturating sense of depth.

If any of these interest you, you may want to reserve your spot in either the weekly Muse Group in my studio or the weekend workshop at Sebastopol Center for the Arts. Here’s the scoop!

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At this writing there are two spots left in the Monday Afternoon group. For more info and to register visit my website.

And if you like a whole weekend to develop your paintings, the following workshop may appeal.

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For more information and to register contact me. I hope to be painting with you this fall!

Inside-Outside Nature Art

We combined the elements of fire and water in Monday’s Muse lesson of powdered charcoal. For fire we had the charcoal residues of fire and the scorching solar heat. The water was washed streaming over the charcoal to make it move beautifully across the paper. In previous years when I taught this lesson 2014 and 2016 it was similarly in hot-hot weather, the better to quickly dry the sopping wet papers!

Here’s my finished demo:

charcoal01

acrylic and collage on powdered graphite texture, 10 X 11″

The world is divided by borders; mountains and rivers and oceans and lines to keep people separate. Would we know who we are without all the borders or would we stand in confusion looking up at the sky in hopes of getting directives there?

I vote for color that streams across borders and makes a rainbow sky, a rainbow country, and a rainbow world. 

charcoal03

Sprinkle some powdered charcoal on the dry paper. Here I added some iridescent pigment powder as well. Pour water over the surface and watch the spontaneous dispersion. When dry you can come back in with an eraser, which I did in this, erasing through a stencil.

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I love the way the charcoal granules pattern the paper surface. When this stage is dry and before adding paint, spray workable fixative or mat medium diluted with water and let that dry to seal the charcoal.

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We went outside in the shade to do the charcoal sprinkling and water pouring.

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The charcoal is in the salt shaker in front.  The stencils and iridescent pigments were particularly popular and now my garden sparkles in the light a bit more than usual!

MuseGraphite-03_edited-1The splatter screen served as a kind of sifter for the charcoal.

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I always love to see nature art in the context of the nature that inspires it. Here it is just leaves and mulch.

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. . .and tree trunks and garden green and the beginning of fall leaves, and the golden glow of light spreads across the painting making it a part of it all.MuseGraphite-05

. . .and here, in anticipation of what this fall season will bring!

Thanks to the Muse students for once again taking a lesson beyond its previous borders. These beautiful beginnings made their way back into the studio to be developed with more color and some collage.

 

Beauty

This Monday each time I looked up from my painting to check on the Muse Group students, they were working intently and without pause on their paintings. No one had questions. There seemed to be a host of silent advisors in the room (the ones we call Muses) directing the activity. In the lesson we were using opaque passages to sculpt and design shapes on transparent under paintings. Rivers of inks and fluid acrylics were flowing onto the pages. Next day I rescued the paper towels from the trash and made a corsage.

corsage

I would like to wear this or make it wall sized. Spray it with shellac to preserve it. Make tiny ones to put on pins or hair clips. Design sheets and mugs and T-shirts. And I will probably do none of these, but go back to my delectable acrylic paints for more stunning combinations, which seem endless!

We’ve been enjoying the poetry of John O’Donahue to inspire our own understanding of Beauty. If you want to partake of his insights you might enjoy his interview on the podcast On Being.

This week we contemplated color. In his book Beauty: The Invisible Embrace O’Donahue wrote “Color is always reaching toward us. The eye is the secret destination of color. A color is never alone for each color arises through the interplay of other colors. Color is always a dance with invisible partners.”

The interplay of complementary colors is just such a dance. Once you know that its the red that makes a green landscape vibrate with green-ness you are gaining access to the secret kingdom of color.

sharp

(class demo using semi-opaque green passages glazed over a red background)

Some Beauty is sharp and cutting, pricking into areas long hidden, letting the air out of bubbles, lurking and then jabbing and hiding again behind blooms and pretty smiles, this floral guise designed to lure and then strike at that which needs cutting down.

Its all in the plan, this poke that teaches even as it hurts, then swabs the wound with its beguiling beauty.

Mix Those Media! Workshop

Here’s the flyer for a new weekend workshop I’m offering in November ! 

Screen Shot 2017-09-14 at 1.44.02 PMFor more information check out my website. Feel free to contact me with any questions and to register. Hope you can come!