Mixed media workshop

Ashes

Staying on the outskirts of the burned areas, not wanting to get in the way of recovery efforts, not wanting to see the devastation of our beautiful Santa Rosa neighborhoods, parks, vineyards. But the images are already burned into our minds and hearts.

ashes

Muse Group demo: acrylic, gesso, fabric collage on w/c paper, 10 X 11″

Crow lands on a burnt out tree, ponders as he watches ash float down.

Nothing familiar here. In the ashes nothing looks the same, a world upended.

And yet, shapes of people’s lives, of things one time possessed, then not. Shards of things, zippers without the pants. Paper gone, words gone.

Yet in someone’s yard five miles away a restaurant menu piece floats to the ground and a bill as yet unpaid.

 

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Inside-Outside Nature Art

We combined the elements of fire and water in Monday’s Muse lesson of powdered charcoal. For fire we had the charcoal residues of fire and the scorching solar heat. The water was washed streaming over the charcoal to make it move beautifully across the paper. In previous years when I taught this lesson 2014 and 2016 it was similarly in hot-hot weather, the better to quickly dry the sopping wet papers!

Here’s my finished demo:

charcoal01

acrylic and collage on powdered graphite texture, 10 X 11″

The world is divided by borders; mountains and rivers and oceans and lines to keep people separate. Would we know who we are without all the borders or would we stand in confusion looking up at the sky in hopes of getting directives there?

I vote for color that streams across borders and makes a rainbow sky, a rainbow country, and a rainbow world. 

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Sprinkle some powdered charcoal on the dry paper. Here I added some iridescent pigment powder as well. Pour water over the surface and watch the spontaneous dispersion. When dry you can come back in with an eraser, which I did in this, erasing through a stencil.

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I love the way the charcoal granules pattern the paper surface. When this stage is dry and before adding paint, spray workable fixative or mat medium diluted with water and let that dry to seal the charcoal.

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We went outside in the shade to do the charcoal sprinkling and water pouring.

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The charcoal is in the salt shaker in front.  The stencils and iridescent pigments were particularly popular and now my garden sparkles in the light a bit more than usual!

MuseGraphite-03_edited-1The splatter screen served as a kind of sifter for the charcoal.

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I always love to see nature art in the context of the nature that inspires it. Here it is just leaves and mulch.

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. . .and tree trunks and garden green and the beginning of fall leaves, and the golden glow of light spreads across the painting making it a part of it all.MuseGraphite-05

. . .and here, in anticipation of what this fall season will bring!

Thanks to the Muse students for once again taking a lesson beyond its previous borders. These beautiful beginnings made their way back into the studio to be developed with more color and some collage.

 

Beauty

This Monday each time I looked up from my painting to check on the Muse Group students, they were working intently and without pause on their paintings. No one had questions. There seemed to be a host of silent advisors in the room (the ones we call Muses) directing the activity. In the lesson we were using opaque passages to sculpt and design shapes on transparent under paintings. Rivers of inks and fluid acrylics were flowing onto the pages. Next day I rescued the paper towels from the trash and made a corsage.

corsage

I would like to wear this or make it wall sized. Spray it with shellac to preserve it. Make tiny ones to put on pins or hair clips. Design sheets and mugs and T-shirts. And I will probably do none of these, but go back to my delectable acrylic paints for more stunning combinations, which seem endless!

We’ve been enjoying the poetry of John O’Donahue to inspire our own understanding of Beauty. If you want to partake of his insights you might enjoy his interview on the podcast On Being.

This week we contemplated color. In his book Beauty: The Invisible Embrace O’Donahue wrote “Color is always reaching toward us. The eye is the secret destination of color. A color is never alone for each color arises through the interplay of other colors. Color is always a dance with invisible partners.”

The interplay of complementary colors is just such a dance. Once you know that its the red that makes a green landscape vibrate with green-ness you are gaining access to the secret kingdom of color.

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(class demo using semi-opaque green passages glazed over a red background)

Some Beauty is sharp and cutting, pricking into areas long hidden, letting the air out of bubbles, lurking and then jabbing and hiding again behind blooms and pretty smiles, this floral guise designed to lure and then strike at that which needs cutting down.

Its all in the plan, this poke that teaches even as it hurts, then swabs the wound with its beguiling beauty.

Mix Those Media! Workshop

Here’s the flyer for a new weekend workshop I’m offering in November ! 

Screen Shot 2017-09-14 at 1.44.02 PMFor more information check out my website. Feel free to contact me with any questions and to register. Hope you can come!

Back to Muse-ing!

Over the weekend I was busy cleaning and organizing my studio for the influx of Monday Muse Group students. It’s been a four month break in Muse Groups, possibly the longest break since I started teaching them nine or ten years ago! I’d forgotten how things get stirred up when I prepare. While dusting and sorting, my brain was suddenly popping with ideas and excitement and that feeling of nervous anticipation.  I know better than to try to get things all planned out. It’s more about clearing the way for the creative energy of a room full of people who are ready to break out and do something new.

artwall

One new feature in the studio is a wall dedicated to the experimental pieces which are lesson demos in the group. It’s a thin metal rod attached to the wall with tiny bulldog clips for the art.

The lesson for Monday was to use clear contact paper or artist tape as a masking method and then have fun squirting and splattering and smooshing inks. Then to peal off the contact paper or tape, with paint on it, and apply it as collage. I was dying to use my (unused) eclipse glasses in this piece, which turned out to be for all of you who missed the total solar eclipse or even the partial.

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Oh you Luna, you divine representative of the cosmos! You set up such a longing in me that day when you eclipsed the sun and left me out of your totality party. What happened as I watched (on my cell phone) the excitement across the country? Nothing here but overcast skies. We got stiffed! My special glasses remained unused. The sky kept its metallic blue gray color and as the minutes ticked by, my heart sank lower and lower. To be left out so cruelly! A cosmic snub. And so today I cut up my unused, never to be used, eclipse glasses and made up my own totality. Ha!

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Here’s another recent example of masking and using the painted tape for collage. This one also follows the eclipse theme, as I found a place for the eclipse stamp I received from a student in the mail.

Cat Woman

There are no more Monday Muse Group sessions until September, but this Muse-ing is a habit which continues. I’m going to take this time to redo some of the lessons and explore them further.

So I pulled out a piece of Mylar I had played around with and gotten some interesting blending of colors, and found the beginnings of Cat Woman. After some cutting and pasting and painting, here’s what came of it/her.

catwoman

Cat Woman stares into the mists of time. The days and hours are not relevant, nor the passage of one afternoon. She knows these are all products of a restless mind. She seeks the swirling mists of eons and cares not about presidential fumbling through this calendar year. Her heart is steady, her eyes focused on some ineffable horizon, her ears tuned to earth murmurs others cannot hear. Ancient though she is, still she holds in her fur and bones a newborn’s innocence and wonder.

It’s good to have a Cat Woman in mind. She’s got her priorities straight.

I miss doing the mixed media muse art in the group, but also know that many of you are continuing to explore these inner art realms on your own and remain in companionship with all of us.

The Monday Afternoon Muse Group will resume with a 6-week session September 18-October 23 and registration for this has already started. For more information and to reserve a spot visit my website.

Early Spring Musings

Sometimes I just want to look at the blossoms and not remember the storms that brought us here. Look at the green and the lacy morning dew and imagine that this world is mine, as is, right now. Not just in process and needing to be weeded. Not because it all will soon enough disappear, torched by summer’s draught. But just because it is right now. . .mine.

Lookatthefruit

acrylic textures (molding pastes), acrylic inks and collage on w/c paper, 10 X 11″

It is apple blossom season here in Sonoma County. You don’t want to blink and miss it! You don’t want to miss the butterflies fluttering through the garden, drinking apple blossom nectar, mating, and laying eggs on the pipevine. Gardening is a great excuse to be outside with hands in the dirt, and art making gravitates always to these spring colors and forms.

In Muse group we were playing with a wide variety of texture making tools and many of the acrylic mediums now on the market, from molding paste and crackle paste to gels with clear flakes and pumice. You could spend a fortune in the art store gathering up the various mediums to get texture. It’s what happens when you put fluid paint over them that excites me.

I’ll be teaching a weekend mixed media workshop June 24 and 25 where we’ll be using textures like these to achieve the light casting sparkle of Patina!  For more information and to register please visit my website.