Fantascapes

Fire Flow

firepourDemo for Monday Muse Group: acrylic, Pouring Medium, collage (paper, netting, “medallion skins”)

Such beauty, red, color of sunset, of ripe apples, of rosy cheeks and

Color of flames blowing this way, color of monster chewing up homes, melting down metals and tossing cars like those evil midwestern twisters.

And that Hollywood Oscars-night glow on my horizon. Dumbfounding.

A couple of days after the Tubbs fire (since anointed as the most destructive fire in California’s history) began and while it was still raging on, I tried painting the horizon in flames in the night sky as I viewed it from our living room window on that night of October 8. It didn’t work. There was no way to paint it “on purpose” because this fire was the essence of random. Add to that rampant, unconstrained and unpredictable.

Those same adjectives could be used for acrylic pouring medium which is formulated to make acrylic paints flow and level out and keep moving as you tip and turn the paper, and to keep moving until they dry, which takes a while. Pouring Medium is the name for the Liquitex brand, but Golden has their own version called GAC 800. Mix a few drops of fluid acrylic paint with the medium and you’re ready to pour, either onto your painting surface (paper here) or onto plastic in order to make “skins”, or as I like to call the more circular pools, “medallions”. Here are some of the other medallions I made.

medallionsWhen they’re dry, after a day or so, you peel them up and use them as collage pieces. The one on the lower left was made by marbling with a stick and tipping the surface. The others were made on a level surface with pouring and dropping the paint, all mixed with pouring medium.

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These involved more tipping of the surface to cause more random occurrences as in the painting at the top. You never know what’s going to happen. . . like that fire.

I’ll be teaching “medallions” and other mixed media techniques in the upcoming workshop. Contact me if you’re interested!

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Mixed Media workshops this fall!

There’s always ideas percolating for mixed media lessons I’d like to teach in my Monday Muse Group and weekend workshops. For instance, inspired by Gustav Klimt, whose gilded paintings will be shown this fall in an exhibition at the Legion of Honor in S.F., we’ll be working with metallics. . .then a simple form of monotype printing and the very popular “stick painting” where we make expressive mark beginnings with carved sticks. . .then exploring color transparencies to get that eye saturating sense of depth.

If any of these interest you, you may want to reserve your spot in either the weekly Muse Group in my studio or the weekend workshop at Sebastopol Center for the Arts. Here’s the scoop!

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At this writing there are two spots left in the Monday Afternoon group. For more info and to register visit my website.

And if you like a whole weekend to develop your paintings, the following workshop may appeal.

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For more information and to register contact me. I hope to be painting with you this fall!

Mix Those Media! Workshop

Here’s the flyer for a new weekend workshop I’m offering in November ! 

Screen Shot 2017-09-14 at 1.44.02 PMFor more information check out my website. Feel free to contact me with any questions and to register. Hope you can come!

A Square Creates Order (or tries)

A square attempts to bring order out of chaos here in this demo from the Patina workshop last weekend. The last touch was a bit of scumbling over the rough surface with a finger dipped in bronze paint.

windows

Workshop demo: acrylic on textured surface, painted foil and mylar collage on w/c paper

Try looking in the mirror. This personhood has so many fun house distortions . Open those windows and the pieces buzz around and fly out. Airborne they eventually become stars and find their way home to a green planet somewhere you are.

 

Mixed Media workshop coming up!

On June 24 and 25 I’ll be teaching a workshop on one of my favorite techniques – achieving the look of patina in experimental mixed media painting. At the moment my studio is strewn with my own experiments and ideas I want to share. There are a couple spaces left in the workshop at this writing. Let me know if you’re interested and available to come join us!

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For more information and to register visit my website!

Geology

My latest experiments in the art laboratory explore the territory of “patina”. They are usually a response to the query “I wonder what would happen if. . .” and in this case. . .if I wet the watercolor paper and paint into it with iridescent paints. The metallic particles drop out of solution on the wet surface causing spontaneous “events”.

geology

Lumiere’s Halo Blue Gold and Metallic Bronze and Golden’s Iridescent Bright Gold acrylics and Higgen’s Black India ink on w/c paper (with plaster of paris medallion)

The frustrating thing about these patina paintings is the difficulty in photographing the reflective paints, so you’ll have to use your imagination because they’ve gone flat in this image. The lovely blue is actually the blue portion of the Blue Gold as the gold is left behind by the water.

Imagine the treasures that surface on the trails we walk. Then again imagine the ones packed within the earth’s core. The restless imagination becomes a geologist digging deeper into that landscape, more wondrous and bizarre, that cannot be seen with mere eyes.

And then it surfaces again, to the just-enough-loveliness of everyday to sweeten this perplexing gift of life.

I’ll be teaching a new version of Experimental Mixed Media Painting: “Patina” at Sebastopol Center for the Arts on June 24 and 25. There’s still a couple spaces if you’re interested! For more information visit my website.

 

Early Spring Musings

Sometimes I just want to look at the blossoms and not remember the storms that brought us here. Look at the green and the lacy morning dew and imagine that this world is mine, as is, right now. Not just in process and needing to be weeded. Not because it all will soon enough disappear, torched by summer’s draught. But just because it is right now. . .mine.

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acrylic textures (molding pastes), acrylic inks and collage on w/c paper, 10 X 11″

It is apple blossom season here in Sonoma County. You don’t want to blink and miss it! You don’t want to miss the butterflies fluttering through the garden, drinking apple blossom nectar, mating, and laying eggs on the pipevine. Gardening is a great excuse to be outside with hands in the dirt, and art making gravitates always to these spring colors and forms.

In Muse group we were playing with a wide variety of texture making tools and many of the acrylic mediums now on the market, from molding paste and crackle paste to gels with clear flakes and pumice. You could spend a fortune in the art store gathering up the various mediums to get texture. It’s what happens when you put fluid paint over them that excites me.

I’ll be teaching a weekend mixed media workshop June 24 and 25 where we’ll be using textures like these to achieve the light casting sparkle of Patina!  For more information and to register please visit my website.