Workshops

Ashes

Staying on the outskirts of the burned areas, not wanting to get in the way of recovery efforts, not wanting to see the devastation of our beautiful Santa Rosa neighborhoods, parks, vineyards. But the images are already burned into our minds and hearts.

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Muse Group demo: acrylic, gesso, fabric collage on w/c paper, 10 X 11″

Crow lands on a burnt out tree, ponders as he watches ash float down.

Nothing familiar here. In the ashes nothing looks the same, a world upended.

And yet, shapes of people’s lives, of things one time possessed, then not. Shards of things, zippers without the pants. Paper gone, words gone.

Yet in someone’s yard five miles away a restaurant menu piece floats to the ground and a bill as yet unpaid.

 

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Fire News

Everyone here in Sonoma County wants to know “Are you safe?” So first of all yes, and so is my family and home and neighborhood and town of Sebastopol. And that doesn’t go very far to describe what it’s like to live in this county on fire. Scary and sad is more like it. The air was too dense with smoke to go out and sketch it, and the first responders wanted people out of the way anyway. So I did the next best thing and sketched from our paper, the Press Democrat.

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Sketched from a photo by Kent Porter in the Press Democrat newspaper.

You get the picture here. What’s left of a house and yard and buried car. We’ve been tuned to this kind of picture since Monday morning. Or rather Sunday night when I was awakened by the ding of my cell with a message from a friend “Where are you? Are you packed?” Groggily I looked out my living room window to a view of a horizon on fire. (I’ve tried sketching this from memory but the image I remember is not reproducible).

We packed the car and waited. The fire was visibly distant enough from us to wait, meanwhile realizing we were not nearly prepared for this. Over the next two days conversations ensued about what to take, how to stay informed, how to be responsible to others. It was exhausting and humbling and scary and sad, especially as the stories of evacuations and lost homes unfolded.

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Meanwhile we were marooned inside where the air was filtered. Bob got a call from his sister and tried to fill her in. Our sons kept texting and calling for updates. For a couple days we had almost no phone or wifi. I was desperate to sketch to get a handle on that anxiety. I got out my new Hahnemuhle Nostalgie Sketch Book and grabbed a couple pens and colored pencils. This paper is so sensuous to draw on, smooth in a way that invites a pen to flow.

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Finally we had Comcast cable again and the distraction of TV, Masterpiece and Poldark! Costumes and romance, and that predictable Poldark dark-browed scowl! Perfectly suited to the anxious sketcher in need of relief.

So the Sonoma County fires burn on. But you’ve heard that in the news. My sketch workshop this Saturday has been cancelled due to unhealthy air quality from the fires. I’ll regroup and try another date.

We have our minds on so many things right now. The mind actually collapses when confronted with this sort of thing. But one thing I know. Art restores.

 

Mixed Media workshops this fall!

There’s always ideas percolating for mixed media lessons I’d like to teach in my Monday Muse Group and weekend workshops. For instance, inspired by Gustav Klimt, whose gilded paintings will be shown this fall in an exhibition at the Legion of Honor in S.F., we’ll be working with metallics. . .then a simple form of monotype printing and the very popular “stick painting” where we make expressive mark beginnings with carved sticks. . .then exploring color transparencies to get that eye saturating sense of depth.

If any of these interest you, you may want to reserve your spot in either the weekly Muse Group in my studio or the weekend workshop at Sebastopol Center for the Arts. Here’s the scoop!

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At this writing there are two spots left in the Monday Afternoon group. For more info and to register visit my website.

And if you like a whole weekend to develop your paintings, the following workshop may appeal.

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For more information and to register contact me. I hope to be painting with you this fall!

Inside-Outside Nature Art

We combined the elements of fire and water in Monday’s Muse lesson of powdered charcoal. For fire we had the charcoal residues of fire and the scorching solar heat. The water was washed streaming over the charcoal to make it move beautifully across the paper. In previous years when I taught this lesson 2014 and 2016 it was similarly in hot-hot weather, the better to quickly dry the sopping wet papers!

Here’s my finished demo:

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acrylic and collage on powdered graphite texture, 10 X 11″

The world is divided by borders; mountains and rivers and oceans and lines to keep people separate. Would we know who we are without all the borders or would we stand in confusion looking up at the sky in hopes of getting directives there?

I vote for color that streams across borders and makes a rainbow sky, a rainbow country, and a rainbow world. 

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Sprinkle some powdered charcoal on the dry paper. Here I added some iridescent pigment powder as well. Pour water over the surface and watch the spontaneous dispersion. When dry you can come back in with an eraser, which I did in this, erasing through a stencil.

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I love the way the charcoal granules pattern the paper surface. When this stage is dry and before adding paint, spray workable fixative or mat medium diluted with water and let that dry to seal the charcoal.

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We went outside in the shade to do the charcoal sprinkling and water pouring.

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The charcoal is in the salt shaker in front.  The stencils and iridescent pigments were particularly popular and now my garden sparkles in the light a bit more than usual!

MuseGraphite-03_edited-1The splatter screen served as a kind of sifter for the charcoal.

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I always love to see nature art in the context of the nature that inspires it. Here it is just leaves and mulch.

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. . .and tree trunks and garden green and the beginning of fall leaves, and the golden glow of light spreads across the painting making it a part of it all.MuseGraphite-05

. . .and here, in anticipation of what this fall season will bring!

Thanks to the Muse students for once again taking a lesson beyond its previous borders. These beautiful beginnings made their way back into the studio to be developed with more color and some collage.

 

Beauty

This Monday each time I looked up from my painting to check on the Muse Group students, they were working intently and without pause on their paintings. No one had questions. There seemed to be a host of silent advisors in the room (the ones we call Muses) directing the activity. In the lesson we were using opaque passages to sculpt and design shapes on transparent under paintings. Rivers of inks and fluid acrylics were flowing onto the pages. Next day I rescued the paper towels from the trash and made a corsage.

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I would like to wear this or make it wall sized. Spray it with shellac to preserve it. Make tiny ones to put on pins or hair clips. Design sheets and mugs and T-shirts. And I will probably do none of these, but go back to my delectable acrylic paints for more stunning combinations, which seem endless!

We’ve been enjoying the poetry of John O’Donahue to inspire our own understanding of Beauty. If you want to partake of his insights you might enjoy his interview on the podcast On Being.

This week we contemplated color. In his book Beauty: The Invisible Embrace O’Donahue wrote “Color is always reaching toward us. The eye is the secret destination of color. A color is never alone for each color arises through the interplay of other colors. Color is always a dance with invisible partners.”

The interplay of complementary colors is just such a dance. Once you know that its the red that makes a green landscape vibrate with green-ness you are gaining access to the secret kingdom of color.

sharp

(class demo using semi-opaque green passages glazed over a red background)

Some Beauty is sharp and cutting, pricking into areas long hidden, letting the air out of bubbles, lurking and then jabbing and hiding again behind blooms and pretty smiles, this floral guise designed to lure and then strike at that which needs cutting down.

Its all in the plan, this poke that teaches even as it hurts, then swabs the wound with its beguiling beauty.

Mix Those Media! Workshop

Here’s the flyer for a new weekend workshop I’m offering in November ! 

Screen Shot 2017-09-14 at 1.44.02 PMFor more information check out my website. Feel free to contact me with any questions and to register. Hope you can come!

Back to Muse-ing!

Over the weekend I was busy cleaning and organizing my studio for the influx of Monday Muse Group students. It’s been a four month break in Muse Groups, possibly the longest break since I started teaching them nine or ten years ago! I’d forgotten how things get stirred up when I prepare. While dusting and sorting, my brain was suddenly popping with ideas and excitement and that feeling of nervous anticipation.  I know better than to try to get things all planned out. It’s more about clearing the way for the creative energy of a room full of people who are ready to break out and do something new.

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One new feature in the studio is a wall dedicated to the experimental pieces which are lesson demos in the group. It’s a thin metal rod attached to the wall with tiny bulldog clips for the art.

The lesson for Monday was to use clear contact paper or artist tape as a masking method and then have fun squirting and splattering and smooshing inks. Then to peal off the contact paper or tape, with paint on it, and apply it as collage. I was dying to use my (unused) eclipse glasses in this piece, which turned out to be for all of you who missed the total solar eclipse or even the partial.

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Oh you Luna, you divine representative of the cosmos! You set up such a longing in me that day when you eclipsed the sun and left me out of your totality party. What happened as I watched (on my cell phone) the excitement across the country? Nothing here but overcast skies. We got stiffed! My special glasses remained unused. The sky kept its metallic blue gray color and as the minutes ticked by, my heart sank lower and lower. To be left out so cruelly! A cosmic snub. And so today I cut up my unused, never to be used, eclipse glasses and made up my own totality. Ha!

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Here’s another recent example of masking and using the painted tape for collage. This one also follows the eclipse theme, as I found a place for the eclipse stamp I received from a student in the mail.