watercolor and gouache

Burn Mama

The story is always in the details. You can drive by the neighborhoods that burned in the October fires, as I did with my sons who have been visiting from back east. I wanted them to get a feel for this epic event that changed so many lives. But when you sit down to stay a while and sketch the scene, pieces of the story start to creep into your heart and get stuck there.

ForSaleCoffeyPark

This property, like so many others, had passed inspections and been partially cleared. The insurance company was involved. The holiday spirit had been noted in stray decorations. The straw batting was arranged to keep the soil and pollutants from flowing into the street when it rains. And the lot is for sale. Like many property owners now, these folks will be moving on, and new owners will build, and in a few years this night of fires will be history, though never forgotten.

Mr.Ashes

I confess that I had a few moments of despair on that street and wondered why I was still sketching the fire story. So many lives upended.

But then I saw this marvelous burnt-out tree and did a detailed pen drawing of it. When I got home, this creature looked out at me. We’ll call her Burn Mama. She got her hair singed and her lungs full of smoke, but she’s still standing strong in that what’s your problem honey things are going to be OK way.

So when my heart fills with despair, about the fire losses or the sad state of affairs in our country and injustices in the world; when I take stock of things on the turn of the calendar year, I’ll stand with her. She can handle it and so will I/we. Sonoma Strong!

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Model Attitude

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pen and w/c graphite on BFK Rives paper

It’s all in the attitude.  And this model has it in such abundance that even the most beginner sketcher got a decent drawing from her 5 and 10 minute poses.

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She held up a plastic flower and the pose was so beguiling that she sprouted two noses and a left hand where the right should be, but who’s counting?!

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The models at this Bay Area Models Guild Marathon share the stage with two other models.  From where I was situated I could spin my chair and see two other stages with models on them.  So by the time I noticed this dynamic pose, I had two minutes left before it changed – just enough time!

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And here the same model in a 20 minute pose, time enough to get out my watercolors and gouache  and put some color in.  What a fabulous hat, even if it does look a bit like an overripe banana on a platter.

Bob had helped me convert a photo tripod into an adjustable easel which worked so well!  I’ll take a picture and post it here in case you want one for yourself.  It involved a quick trip to the hardware store and a bit of drilling and sawing.  Quick and easy for me anyway, since I didn’t have to do it!