I had a blast this week sketching with my friends and fellow teachers from Denver, Colorado, Judith Cassel-Mamet and Carol Ann Waugh. I met them last spring when we were all taking an urban sketch workshop in New York city. I was honored that they wanted to come and take a workshop from me to get some sketching tips to add to their already considerable repertoire. I had all kinds of plans for on-location sketching in this gorgeous California spring weather. You know, sunshine and blossoms and happy people congregating in public areas!
Instead they got to experience the Pineapple Express weather that flooded roads, drove everyone indoors and kept us in coffee shops and restaurants sketching people. But since PEOPLE sketching was what they were after, it worked out fine! And apparently wet weather and dampness is a novelty to folks from Denver!
We started in my studio with continuous line drawing to warm up, then adding color, letting the wet paint edge bleed to connect shapes. As time goes on I become more and more convinced that when you are sketching quickly from life, the continuous line improves not only accuracy but also expressiveness because it keeps your mind (and therefore your mind’s eye) from wandering off.
What’s that in the bottom right hand corner you ask? It’s my troll doll made of grasses and seed pods. I was also going with the idea that you overlap shapes to connect the images, and the Troll wanted in on the action.
We had planned to go down to the foot of my road and sketch the goats in the green grass after lunch, but the rains had started. So they talked me into sharing some of my strategies for skin tone and painting shadow shapes of figures. I’m not a portrait artist, but I had a willing model and needed a subject to demonstrate on. Yellows and reds with a touch of blue for the skin tone with the green from the background glazed over in parts to show reflections. And here you can really see the limits on this Stillman and Birn Beta Sketchbook paper which doesn’t do well with wet applications!
Next morning we met at one of Sebastopol’s favorite coffee shops, Taylor Maid, and invited the person who was sitting alone at the table we needed, to join us in sketching! Luckily it was Linda Kammer, who happens to be a watercolor artist friend, who seemed happy to share her table and sketch with us.
Judith and Carol had asked for ideas to get their figure sketches to capture the uniqueness of the people as opposed to the stock figures. As the rainstorm raged outside, we worked on getting the gestures of specific coffee drinkers and practicing skin tones. I guess the tech-y people were upstairs with their computers in the loft, because there was actually a young man reading a paperback book! And at another table a fellow engaged in deep conversation with another and no phones/tablets/laptops in sight. And then there was the fellow at the window writing. . .on paper with a pen. What is this world coming to?!!
When it got even stormier there were fewer people to sketch so we stood up to try to catch the baristas in action.
Like I said, we had a blast, and even though I was the ostensible teacher for the days, I learned as much as them. They do mixed media workshops together and separately all over the country and even in Europe. They share a passion for teaching and exploring the creative process. They began collaborating a few years ago, combining Carol’s love of contemporary fiber arts with Judith’s focus on mixed media, sketching and art journaling. They have stitched, painted, sketched and dyed together….and now give workshops together called Mixed Media Adventures! They both have Craftsy online courses you should check out.