pouring acrylics

Pouring rivers of acrylic

It’s so easy to lose the spark of creation when you’re an artist who’s always trying to improve skills at your craft. For many years now I’ve engaged in this practice I call Conversations with the Muse. Periodically I peruse my archived books of lesson demos and experiments in radical eccentricity, and chose a mixed media entry point to launch myself into the realm of the bizarre which always lies beneath the surface of an otherwise socially appropriate personality. It just feels so freeing!

So this time I got a big bottle of Liquitex Pouring medium to mix with my fluid acrylics- four colors in little bottles – knowing that there is no point in trying to control the paint because it just keeps moving, and you’re along for the ride. And the characters emerged as they always do.

fluid acrylics mixed with Liquitex Pouring Medium on gesso coated hot press w/c paper

My hair’s been running wild lately

Or maybe it’s me. . .running . . .wild

Taking on the animal nature

The hair, a pelt or fur or mane

Think lions or horses or little pink ponies

Unicorns on little girls’ beds

Or think huddled under a blanket fort hideout

Made of pillows and the living room sofa

And two small children peeping out of the dark wide eyed

While their feet give them away

poured acrylics and collage with poured acrylic skins! and ink lines

Not much room for me here

No space to stretch out

Something might crack. 

Better to sit still

Not attract attention

But this heavy coat

I’m dying for a good scratch

 

If you want to try pouring acrylics, there are so many youtube videos to instruct, and here are some previous posts of mine that might help:

2019 https://susancornelis.wordpress.com/2019/07/18/a-lesson-in-pouring-acrylics/

2015 https://susancornelis.wordpress.com/2015/06/30/black/

2014 https://susancornelis.wordpress.com/2014/01/15/made-from-the-same-fabric/

Have fun watching the rivers flow! (I think my mind is still back on the white water in N.C.!)

Escape?

Whenever I get out my acrylic Pouring Medium (Liquitex) I know I’m in for a wild ride where I have no control over the results. You mix fluid acrylic pigment with the pouring medium and suddenly you’ve got a river of color with a mind of its own. It’s like the first time you’re on skates and you’re moving before you’re quite used to the idea. It’s fun like that, especially when you start adding different colors and tipping the paper different ways.

The trick is to figure out what to do with it once you’re done and it’s dry (takes at least 24 hours).

My “pours” often end up looking like somebody, some creature, and I just have to live with it. I always try to make the best of it and see if the creature has something to tell me. . . and it/he/she always does.

Suggestions for these times:

Find a way to stay afloat or aloft

Keep those valuables close

Tied in, tied down

You never know when you’ll need em

A white sheet works swell

Throw stuff in, cinch it up and toss out the window

Make your escape in the dead of night

To where no disaster can touch you

No fires or floods, hurricanes or earthquakes

No politics or plagues or even political plagues

(Good try, you fool. There’s no such place!)

If you want to try some pours, you might check out some other posts I’ve done here, which have more instructions.

A Lesson in Pouring Acrylics

We poured acrylics this week in Muse Group, using Pouring Medium (Liquitex or Golden) mixed with fluid acrylic paint (about 10/1) poured from cups we mixed it in. The Pouring Medium gives you a leveling paint film with “rheology” or “flow”. So the colors flow together as you tip the paper back and forth. It also gives you spontaneous effects that you could never have dreamed up or accomplished “on purpose”. And if you have a fertile imagination, which I’m sure you do! the image which results might even have something to say!

pianogrief

fluid acrylics mixed with pouring medium and moved with a rubber spreader

I’ve been hanging here a long while. Not at all the budding musician I was at eight when Mom would drop me off at the piano teacher’s house, until I’d endured three years of mediocrity and dread about recitals. . .and learned to play a bit, Fur Elise and all that. . .and then quit.

Fast forward 60 years and another try at it. . .for fun this time. . .until it seemed that the bit I could play had only shrunk.

And so our lovely piano is on its way out now, for sale to someone worthier. No longer will I own that bit of cultural cache. My chin sinks, along with those early dreams of musical excellence (WHICH WERE MY MOM’S, NOT MINE!)

You gotta love moms. I mean it’s great the way they root for you, tell you to hang in there because you can accomplish something great. My mom actually thought I would be an accomplished pianist (like she wished she had been).

fishies

Once again this was fluid acrylics mixed with pouring medium, dripped from a cup onto watercolor paper. The marbling effects spontaneously appeared as the paper was tilted! The hungry fish that appeared was so engaging that I created some other fish from acrylic skins. It’s easy to make acrylic skins with the leftover pouring medium mixture by pouring it onto plastic, letting it dry, and cutting out shapes! I glued the little fish down with gel. Now the big kahuna will not go hungry!

Fire Flow

firepourDemo for Monday Muse Group: acrylic, Pouring Medium, collage (paper, netting, “medallion skins”)

Such beauty, red, color of sunset, of ripe apples, of rosy cheeks and

Color of flames blowing this way, color of monster chewing up homes, melting down metals and tossing cars like those evil midwestern twisters.

And that Hollywood Oscars-night glow on my horizon. Dumbfounding.

A couple of days after the Tubbs fire (since anointed as the most destructive fire in California’s history) began and while it was still raging on, I tried painting the horizon in flames in the night sky as I viewed it from our living room window on that night of October 8. It didn’t work. There was no way to paint it “on purpose” because this fire was the essence of random. Add to that rampant, unconstrained and unpredictable.

Those same adjectives could be used for acrylic pouring medium which is formulated to make acrylic paints flow and level out and keep moving as you tip and turn the paper, and to keep moving until they dry, which takes a while. Pouring Medium is the name for the Liquitex brand, but Golden has their own version called GAC 800. Mix a few drops of fluid acrylic paint with the medium and you’re ready to pour, either onto your painting surface (paper here) or onto plastic in order to make “skins”, or as I like to call the more circular pools, “medallions”. Here are some of the other medallions I made.

medallionsWhen they’re dry, after a day or so, you peel them up and use them as collage pieces. The one on the lower left was made by marbling with a stick and tipping the surface. The others were made on a level surface with pouring and dropping the paint, all mixed with pouring medium.

medallions2

These involved more tipping of the surface to cause more random occurrences as in the painting at the top. You never know what’s going to happen. . . like that fire.

I’ll be teaching “medallions” and other mixed media techniques in the upcoming workshop. Contact me if you’re interested!

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