paul wang

Venturing out a bit

I donned my mask last Sunday and ventured out to the Sebastopol Farmers Market, not necessarily to shop, but to enjoy some on location sketching. This setting never has disappointed me!

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I’ve been sketching from pictures alot lately, but this one was done on location, growing out from the center as things happened.

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Not only did I have my mask on, but my invisibility cloak as well, which I draw around myself when sketching people in public without their permission (you never want them to pose for you and ruin it). At some point the old woman on the right showed up and started talking to the guy on the grass playing guitar. Not only was she colorfully dressed, but I caught snatches of conversation about vibrations and karma and the third dimension, all of which are probably common discussion topics on this strip of lawn in the shade in the Sebastopol plaza.

I had to look up third dimension and here’s what I learned. . .I mean if you’re interested:

“The third dimension is a theoretical realm of space and time in which the particles and dark matter of this parallel, alternate reality bends light to collide with the electrical charges of the subconscious mind. What is light becomes dark. What is dark becomes light. Some look into the third dimension and see nothingness; others believe they see the very face of God.”

I wish I’d heard the whole conversation to learn which one she saw!

Another day I attended a Sketching Play Lab with urban sketchers Suhita Shirodkar and Paul Wang on Zoom. These guys are so fun to hang out with, and FUN was the operative word. Playing with watercolor. Making colorful wet “caterpillars”, while learning powerful watercolor techniques.

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And then we tried it out, playfully still! on whatever we’d put on the table in front of us. You’ll have no trouble guessing what I had brought out, from my refrigerator.

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I think my eggplant was trying to gobble up the lime.! If you want to learn something new while playing, try registering for a Sketching Play Lab.

Chicago: Part II

I guess you haven’t really seen Chicago until you’ve visited The Bean (aka Cloud Gate) in Millenium Park on the Lake. At least I don’t think there were any UsK Symposium people who didn’t sketch it. My first sight of it was on our first night in the city. A woman who claimed to be an official greeter offered to take a picture of Bettina and I and did an expert job.

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So the Bean/Cloud Gate is an enormous, reflective kidney bean. But here’s another picture to get a better idea.

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And by the way, the whole city is reflected here, and the sky, and you can’t take your eyes off it!

The next evening I got there a bit late, and by the time I’d sat down next to a charming sketcher from Paris and opened up my sketchbook next to hers, it was dark. Knowing we might not get a second chance Sandrine and I loaded up our brushes and went for it while she smoked her Parisiene cigarettes.

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The caption seemed appropriate for this one.

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The Calder sculpture titled “Flamingo” in a plaza among skyscrapers was another popular sketch sight. I was tempted to sketch the Falun Dafa (like Tai Chi for older people in the park) group who were using the plaza for their morning routine. People are more my comfort zone, but I was in Chicago, a capital of the architecture-universe, to sketch city architecture! But in this spot, the sculpture actually got top billing.

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That afternoon the Urban Sketcher Symposium was launched with a “sketchwalk” in the Art Institute Garden, a magical place of lacy foliage!

chicago34The next morning the workshops began and those of us with Basic Passes participated in sketchwalks around the city. I was grateful to go along at my own speed, thinking I would get more sketching done.

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I had watched Paul Wang, one of my instructors from last year, sketch this very scene the day before and thought I’d try my hand at it. It’s a typical one point perspective scene in Chicago with the train (the El) crossing over the street between tall buildings, many of them with reflective surfaces.

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Let me explain. Not far from The Bean is Crown fountain, consisting of two 50-foot glass block towers at each end of a shallow reflecting pool. The towers project video images from a broad social spectrum of Chicago citizens, a reference to the traditional use of gargoyles in fountains, where faces of mythological beings were sculpted with open mouths to allow water, a symbol of life, to flow out. The images are slowing morphing all the time and periodically a spout in the mouth opens and sprays a stream of water out, delighting all the children who engage in delirious water play in the summer.

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That evening a bunch of SF Bay Area sketchers met for dinner, drinks, and the proverbial “drink and draw” at Exchecquer, a nearby restaurant. Luckily the food took a while in coming. Otherwise, hungry as I was at 9pm I would have immediately abandoned the sketch!

I hope you’ll stay tuned for Part III!