On weekends Fisherman’s Wharf in San Francisco is a three ring circus, a place I would probably avoid if if were not for the superlative sketching possibilities! Last Saturday I was there for a Reportage sketching workshop with my good friend and fellow flaneur, Oliver Hoeller and a small group of “advanced” students wanting to learn his delightful illustrative style of storytelling journalism.
Working in a 9 X 12″ spiral bound Canson Mix Media sketchbook I did a warm up here before the workshop started.
You can sit on one bench on the Wharf, as I did here, and turn your head to see all of this (that’s Alcatraz at the top) and catch a performance while watching the tourists and sailboats and being tempted by food. Here I’m going fast and trying to fit the elements together, something which I know Oliver will be teaching.
First warm up in the workshop was to draw a composite figure using different subjects to complete it. Why? Because in a place like the Wharf everyone is moving, so unless you want to finish the figure from memory (not recommended) you may need to wait for the next subject to come along. I made it easy on myself and sketched what I could see from where I was standing, David’s head (another student) and Oliver’s body. We referred to this sketchy form of laboratory science as the Frankenstein man.
The next exercise (my favorite!) was like a scavenger hunt! Oliver would tell us what category of subject to add to the drawing and give us five minutes to complete it. Then we would move on. (this only works in a small group!) I added color later and might have overdone it.
In this one I’m focusing, with more concerted effort and the encouragement of Oliver, on varying and exaggerating the size of the various elements and connecting them in a “designed” way. It’s so liberating to pick and choose the story telling elements based on interest and the needs of the sketch rather than struggling to get perspective and other pictorial aspects to match the scene before you!
Sketching within cells, graphic novel style – another great way to capture aspects of an otherwise overwhelming scene. I lasted inside the Musee Mecanique arcade for about 15 minutes before the noise drove me back outside!
At the end of the workshop Oliver led us into the bowels of commercial Fisherman’s Wharf where the stimulation level reached a screaming pitch. But the great thing is that there is so much to choose in a setting like this.
This is not my favorite sketch of the day – too locked down and closed up with no lost edges. And I was trying out Oliver’s grey felt pen and overdid it. But this is the kind of sketch that teaches the most. . .when you have that if-only-I-had. . . experience, because there’s always a next time, and a next. I can’t wait!
And a big thanks to Oliver!
See more of my Fisherman’s Wharf sketches here.