Nova Trio sketchbook

Loving Gouache on Toned Paper

Catching up on posting some more recent portraits here before I head off for house hunting in Washington on Saturday! I’m taking my toned paper sketchbooks with me to continue Portrait Art for Sanity Sake 

gouache on black toned paper, Stillman and Birn NOVA Trio sketchbook

I never pursued oil painting due to the smell, which I loved but couldn’t tolerate. But gouache is similar to oil in many ways, the viscosity and opacity, so it’s a great way for a watermedia artist to play around with challenging new techniques. While I’m painting with it, it tends to feel wrong, due to so many years now working with transparent pigments, but by the end I’m usually happy I tried.

gouache on black toned paper

Pretty intense looking guy, huh. Pure soul in those eyes. I’m getting these wonderful poses courtesy of members of the Sktchy app who are artists sharing pictures of themselves or others for the purpose of creative portraiture. The most recent 30faces30days challenge/course is finished but there are always new courses coming up, if you want to check it out.

watercolor on grey toned paper finished with w/c pencil

My efforts at this pose were a reminder that, when you’re painting children, you need a lighter hand. This girl is at least five years younger than my portrait! Something to practice. . .

w/c and white gouache on grey toned paper

It would be hard to go back to painting on white paper! So I ordered another NOVA trio book to take on my trip.

When I come back in about a month, the garden will look different, so I’m taking new pictures every day of the garden as it explodes into blooms, each one of which is occupied by a butterfly at least once each day.

a busy spring palette!

Andrew here, holding a Pipevine Swallowtail butterfly, drying its wings after newly emerging from its chrysalid. Now they are fluttering in dizzy mating pairs and laying eggs in the vine. I hope to see legions of those munching polka dotted caterpillars before we’re gone! 

Portrait Art for Sanity Sake

watercolor on beige toned paper in Stillman + Birn NOVA TRIO sketchbook

I always learn a thing or two from Canadian artist Margriet Aasman on Sktchy. In the demo that inspired this portrait of mine she used red and blue pencils for some strategic lines and then proceeded with watercolor. It just really perked things up! along with some white accents on the toned paper. The hard part, as always, was getting the nose in the right place in this slightly off center pose.

It was easier to draw the second time. Figured I’d try it again, this time with gouache, for me a more difficult medium.

gouache on white paper

Honestly I almost gave up on gouache again, enough to throw caution to the wind with the hair. And that turned out to be my favorite part! The lesson in this, as always, is relax, take a chill pill. Painting is not meant to be torture.

watercolor on white w/c paper

Another of the Sktchy lessons in the 30faces30days March series was with a Russian artist Michael Solovyev. He uses the strangest scraggly looking brushes and makes it look like magic. He kept saying you don’t paint the figure, you paint the light!  By the end I was ready to give it a try. He’s right of course. The other brilliant thing he said was to keep the contrast down in the shadow areas. 

colored pencil, watercolor on gray toned paper

Then Andrew posted a picture on Sktchy and I couldn’t resist painting it. I got this far and it was really looking like him and that scared me. So instead of adding more paint and possibly ruining it, I stopped and photographed it. The look is androgenous and angelic, neither of which I would use as adjectives to describe my son. 

So I kept going, and then stopped again. The values weren’t right. 

So I added darker value to the side of his face and called it quits. It’s always an arbitrary stopping point. I run out of patience, time, skill, whatever and it’s time to move on!

gouache on black toned paper

The NOVA Trio toned paper sketchbook has three tones: Grey, Black, and Beige. For a while the beige was my favorite, then grey, and now black!! I love the drama of it, and by the time I finished this one, I’d decided to go over to the gouache side for a while.

Gouache on black toned paper

And today Andrew and I both decided that gouache is where it’s at. It’s F’in lit! (Can you tell I’ve been hanging out with a 28 year old?) I mean, so much drama at your finger and brush tips! especially on black toned paper.

Meanwhile we’re showing our house for sale, which means vacating the house a bit each day after making everything shipshape. Even a bit of art making helps keep us sane.