muse groups

Mixed Media and Sketch Workshops This Spring

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So what do I mean by “Previous sketching experience is recommended.”? This does not mean that you’ve got sketchbooks full of gorgeous drawings. It means that at least you’ve been out there at some point trying to sketch your experience, and enjoying the experience enough to want to do more of it and learn some ways to make it easier, to tell your personal stories with more color and pizzazz! If you don’t know if you’re ready for these workshops, contact me and we’ll talk about it.

For more information and to register visit my website, email or call me.


A Muse Lesson on Canvas

We always paint on watercolor paper in Muse Group, but every once in a while I get out my big role of canvas and cut pieces for everyone. I like to take my (loose) canvas paintings and use them as book cloth to make covers for the Muse portfolio/journal books (bound loose leaf with rings).

movingAcrylic on gessoed canvas fabric with canvas collage, 12.5X13.5″

When a figure emerged, rushing along like she was on fire! I recognized myself, dashing through my days in constant pursuit of accomplishing something or other. I must have been thinking of gardening and the blooming of azaleas. . . And I had just read a poem by Pablo Neruda. Here’s an excerpt which starts with the above quote:

Keeping Quiet (excerpt)

If we were not so simple-minded

about keeping our lives moving,

and for once could do nothing,

perhaps a huge silence

might interrupt this sadness

of never understanding ourselves

and of threatening ourselves with death.

Perhaps the earth can teach us

as when everything seems dead

and later proves to be alive.

Now I’ll count up to twelve

and you keep quiet and I will go.

-Pablo Neruda


Gesso and black ink squirted on canvas, rolled over with brayer and scraped off with a color shaper.

How easy it is to create fun textures with some fluid acrylics and two tools. . .in less than five minutes! I was thinking I could cut or tear it up for collage, but will probably make it the back cover of a book!


Two of my mixed media portfolio books, opened to show the canvas covers.

The artwork, mostly done in Muse Groups gets added to the easy ring binding. I have three boxes of these books now, going back to 2005! Before that I just threw my art in flat file drawers where it was forgotten, or in the bin. This has been such a satisfying way to document not only the lessons I learn and teach, but contemplations and writings which are on the backs of the each piece of art (and archived here in the blog!)

(To be continued with more recent lessons and opportunities to join.)

Mixed Media workshops this fall!

There’s always ideas percolating for mixed media lessons I’d like to teach in my Monday Muse Group and weekend workshops. For instance, inspired by Gustav Klimt, whose gilded paintings will be shown this fall in an exhibition at the Legion of Honor in S.F., we’ll be working with metallics. . .then a simple form of monotype printing and the very popular “stick painting” where we make expressive mark beginnings with carved sticks. . .then exploring color transparencies to get that eye saturating sense of depth.

If any of these interest you, you may want to reserve your spot in either the weekly Muse Group in my studio or the weekend workshop at Sebastopol Center for the Arts. Here’s the scoop!

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At this writing there are two spots left in the Monday Afternoon group. For more info and to register visit my website.

And if you like a whole weekend to develop your paintings, the following workshop may appeal.

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For more information and to register contact me. I hope to be painting with you this fall!

Inside-Outside Nature Art

We combined the elements of fire and water in Monday’s Muse lesson of powdered charcoal. For fire we had the charcoal residues of fire and the scorching solar heat. The water was washed streaming over the charcoal to make it move beautifully across the paper. In previous years when I taught this lesson 2014 and 2016 it was similarly in hot-hot weather, the better to quickly dry the sopping wet papers!

Here’s my finished demo:


acrylic and collage on powdered graphite texture, 10 X 11″

The world is divided by borders; mountains and rivers and oceans and lines to keep people separate. Would we know who we are without all the borders or would we stand in confusion looking up at the sky in hopes of getting directives there?

I vote for color that streams across borders and makes a rainbow sky, a rainbow country, and a rainbow world. 


Sprinkle some powdered charcoal on the dry paper. Here I added some iridescent pigment powder as well. Pour water over the surface and watch the spontaneous dispersion. When dry you can come back in with an eraser, which I did in this, erasing through a stencil.


I love the way the charcoal granules pattern the paper surface. When this stage is dry and before adding paint, spray workable fixative or mat medium diluted with water and let that dry to seal the charcoal.


We went outside in the shade to do the charcoal sprinkling and water pouring.


The charcoal is in the salt shaker in front.  The stencils and iridescent pigments were particularly popular and now my garden sparkles in the light a bit more than usual!

MuseGraphite-03_edited-1The splatter screen served as a kind of sifter for the charcoal.


I always love to see nature art in the context of the nature that inspires it. Here it is just leaves and mulch.


. . .and tree trunks and garden green and the beginning of fall leaves, and the golden glow of light spreads across the painting making it a part of it all.MuseGraphite-05

. . .and here, in anticipation of what this fall season will bring!

Thanks to the Muse students for once again taking a lesson beyond its previous borders. These beautiful beginnings made their way back into the studio to be developed with more color and some collage.



This Monday each time I looked up from my painting to check on the Muse Group students, they were working intently and without pause on their paintings. No one had questions. There seemed to be a host of silent advisors in the room (the ones we call Muses) directing the activity. In the lesson we were using opaque passages to sculpt and design shapes on transparent under paintings. Rivers of inks and fluid acrylics were flowing onto the pages. Next day I rescued the paper towels from the trash and made a corsage.


I would like to wear this or make it wall sized. Spray it with shellac to preserve it. Make tiny ones to put on pins or hair clips. Design sheets and mugs and T-shirts. And I will probably do none of these, but go back to my delectable acrylic paints for more stunning combinations, which seem endless!

We’ve been enjoying the poetry of John O’Donahue to inspire our own understanding of Beauty. If you want to partake of his insights you might enjoy his interview on the podcast On Being.

This week we contemplated color. In his book Beauty: The Invisible Embrace O’Donahue wrote “Color is always reaching toward us. The eye is the secret destination of color. A color is never alone for each color arises through the interplay of other colors. Color is always a dance with invisible partners.”

The interplay of complementary colors is just such a dance. Once you know that its the red that makes a green landscape vibrate with green-ness you are gaining access to the secret kingdom of color.


(class demo using semi-opaque green passages glazed over a red background)

Some Beauty is sharp and cutting, pricking into areas long hidden, letting the air out of bubbles, lurking and then jabbing and hiding again behind blooms and pretty smiles, this floral guise designed to lure and then strike at that which needs cutting down.

Its all in the plan, this poke that teaches even as it hurts, then swabs the wound with its beguiling beauty.

Cat Woman

There are no more Monday Muse Group sessions until September, but this Muse-ing is a habit which continues. I’m going to take this time to redo some of the lessons and explore them further.

So I pulled out a piece of Mylar I had played around with and gotten some interesting blending of colors, and found the beginnings of Cat Woman. After some cutting and pasting and painting, here’s what came of it/her.


Cat Woman stares into the mists of time. The days and hours are not relevant, nor the passage of one afternoon. She knows these are all products of a restless mind. She seeks the swirling mists of eons and cares not about presidential fumbling through this calendar year. Her heart is steady, her eyes focused on some ineffable horizon, her ears tuned to earth murmurs others cannot hear. Ancient though she is, still she holds in her fur and bones a newborn’s innocence and wonder.

It’s good to have a Cat Woman in mind. She’s got her priorities straight.

I miss doing the mixed media muse art in the group, but also know that many of you are continuing to explore these inner art realms on your own and remain in companionship with all of us.

The Monday Afternoon Muse Group will resume with a 6-week session September 18-October 23 and registration for this has already started. For more information and to reserve a spot visit my website.