muse groups

Mixed Media workshops this fall!

There’s always ideas percolating for mixed media lessons I’d like to teach in my Monday Muse Group and weekend workshops. For instance, inspired by Gustav Klimt, whose gilded paintings will be shown this fall in an exhibition at the Legion of Honor in S.F., we’ll be working with metallics. . .then a simple form of monotype printing and the very popular “stick painting” where we make expressive mark beginnings with carved sticks. . .then exploring color transparencies to get that eye saturating sense of depth.

If any of these interest you, you may want to reserve your spot in either the weekly Muse Group in my studio or the weekend workshop at Sebastopol Center for the Arts. Here’s the scoop!

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At this writing there are two spots left in the Monday Afternoon group. For more info and to register visit my website.

And if you like a whole weekend to develop your paintings, the following workshop may appeal.

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For more information and to register contact me. I hope to be painting with you this fall!

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Inside-Outside Nature Art

We combined the elements of fire and water in Monday’s Muse lesson of powdered charcoal. For fire we had the charcoal residues of fire and the scorching solar heat. The water was washed streaming over the charcoal to make it move beautifully across the paper. In previous years when I taught this lesson 2014 and 2016 it was similarly in hot-hot weather, the better to quickly dry the sopping wet papers!

Here’s my finished demo:

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acrylic and collage on powdered graphite texture, 10 X 11″

The world is divided by borders; mountains and rivers and oceans and lines to keep people separate. Would we know who we are without all the borders or would we stand in confusion looking up at the sky in hopes of getting directives there?

I vote for color that streams across borders and makes a rainbow sky, a rainbow country, and a rainbow world. 

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Sprinkle some powdered charcoal on the dry paper. Here I added some iridescent pigment powder as well. Pour water over the surface and watch the spontaneous dispersion. When dry you can come back in with an eraser, which I did in this, erasing through a stencil.

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I love the way the charcoal granules pattern the paper surface. When this stage is dry and before adding paint, spray workable fixative or mat medium diluted with water and let that dry to seal the charcoal.

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We went outside in the shade to do the charcoal sprinkling and water pouring.

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The charcoal is in the salt shaker in front.  The stencils and iridescent pigments were particularly popular and now my garden sparkles in the light a bit more than usual!

MuseGraphite-03_edited-1The splatter screen served as a kind of sifter for the charcoal.

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I always love to see nature art in the context of the nature that inspires it. Here it is just leaves and mulch.

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. . .and tree trunks and garden green and the beginning of fall leaves, and the golden glow of light spreads across the painting making it a part of it all.MuseGraphite-05

. . .and here, in anticipation of what this fall season will bring!

Thanks to the Muse students for once again taking a lesson beyond its previous borders. These beautiful beginnings made their way back into the studio to be developed with more color and some collage.

 

Beauty

This Monday each time I looked up from my painting to check on the Muse Group students, they were working intently and without pause on their paintings. No one had questions. There seemed to be a host of silent advisors in the room (the ones we call Muses) directing the activity. In the lesson we were using opaque passages to sculpt and design shapes on transparent under paintings. Rivers of inks and fluid acrylics were flowing onto the pages. Next day I rescued the paper towels from the trash and made a corsage.

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I would like to wear this or make it wall sized. Spray it with shellac to preserve it. Make tiny ones to put on pins or hair clips. Design sheets and mugs and T-shirts. And I will probably do none of these, but go back to my delectable acrylic paints for more stunning combinations, which seem endless!

We’ve been enjoying the poetry of John O’Donahue to inspire our own understanding of Beauty. If you want to partake of his insights you might enjoy his interview on the podcast On Being.

This week we contemplated color. In his book Beauty: The Invisible Embrace O’Donahue wrote “Color is always reaching toward us. The eye is the secret destination of color. A color is never alone for each color arises through the interplay of other colors. Color is always a dance with invisible partners.”

The interplay of complementary colors is just such a dance. Once you know that its the red that makes a green landscape vibrate with green-ness you are gaining access to the secret kingdom of color.

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(class demo using semi-opaque green passages glazed over a red background)

Some Beauty is sharp and cutting, pricking into areas long hidden, letting the air out of bubbles, lurking and then jabbing and hiding again behind blooms and pretty smiles, this floral guise designed to lure and then strike at that which needs cutting down.

Its all in the plan, this poke that teaches even as it hurts, then swabs the wound with its beguiling beauty.

Cat Woman

There are no more Monday Muse Group sessions until September, but this Muse-ing is a habit which continues. I’m going to take this time to redo some of the lessons and explore them further.

So I pulled out a piece of Mylar I had played around with and gotten some interesting blending of colors, and found the beginnings of Cat Woman. After some cutting and pasting and painting, here’s what came of it/her.

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Cat Woman stares into the mists of time. The days and hours are not relevant, nor the passage of one afternoon. She knows these are all products of a restless mind. She seeks the swirling mists of eons and cares not about presidential fumbling through this calendar year. Her heart is steady, her eyes focused on some ineffable horizon, her ears tuned to earth murmurs others cannot hear. Ancient though she is, still she holds in her fur and bones a newborn’s innocence and wonder.

It’s good to have a Cat Woman in mind. She’s got her priorities straight.

I miss doing the mixed media muse art in the group, but also know that many of you are continuing to explore these inner art realms on your own and remain in companionship with all of us.

The Monday Afternoon Muse Group will resume with a 6-week session September 18-October 23 and registration for this has already started. For more information and to reserve a spot visit my website.

New Monday Muse Group!

If you’ve been following along here and gotten a taste for the Muse-filled mixed media paintings, I hope you’ll think about joining us for the Monday Afternoon group in my studio in Sebastopol, CA.

Frankly, although I’m the teacher of the lessons, I derive much of my inspiration from this spirited group of artists who are constantly forging new territories and together creating an exciting creative space.

For more information visit my website and let me know if I should save a space for you!

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Winter Class Schedule for The Playful Muse

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Put the PLAY factor back into your painting.  Learn to recognize your intuitive voice as it takes you in new directions.  Each session adds a new mixed media painting technique to your repertoire, pushing the boundaries of inks and acrylics, adding textures, collage, image transfers and more.  Meditation and writing are added to the mix to invoke that powerful Muse energy!
New session of Monday Afternoon Muses starts in January
When:  Jan 13, 20, 27, Feb 3, 10, 17, 24, Mar 3, 2014
Time:  1:30-4:30pm
$280 for 8 week session, $45 drop in class if space allows
Or drop in for a Saturday Muse  workshop (these dates are still available with limited space)
When:  Jan 11, Feb 8, Mar 8
Time:  10am-2:30pm
$60 for drop in class
For more information and to register visit my website.
Here’s what Muse students are saying about the experience:

I can’t tell you how much the combination of painting/collage and writing has loosened some long-buried creative impulse within me, and the response of you and the others in the group has been invaluable feedback for me. -K.H.

I feel the muse group has been invaluable in allowing me to apply much of what I have been studying for years now.  I find the whole process meaningful and therapeutic on many levels. It is my sanity break each week and I feel I am finding my voice in both art and writing. -T.V.

 Best yet, I loved that feeling of exploration…the “what if I do this” question.  The members were so enthused and I’ve been getting continued favorable feedback. -S.A.

I love that you have so much to share and that we learn something new each week.  You set the energy really nicely so that it feels safe to explore and be who we are.  -J.M.