mixed media workshops

Plea to the Wise One

Sometimes I think we all need a shaman to set us straight. Here’s the one who appeared to me this week.shamanladyMuse Group demo: acrylic inks on w/c paper, 10 X 11″

What are your dreams catching today? besides me, that is, in an awkward sprawl with one foot in your world and the other mired in this one. Would that potion in your bag help? Can I catch your secret in in my own dream catcher mitt?  Can we sway together to the rhythm of your chants, and go hunting together in moonlight?

 

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Travel on the Brain

I guess I have travel on the brain these days. Meaning that I’m thinking a lot about my trip to Portugal next month for the Urban Sketchers Symposium in Porto. I’m determined to be prepared for everything, which is of course impossible, but I’ll try anyway.

We started a new month-long session of the Muse Group this week, painting with water shapes and inks. And here’s what came of it for me.

travelspecsinks and collage on w/c paper, 11X10″

So you want to sell me a postcard? Thanks anyway. Sunglasses? you say. No, thanks anyway. Got my sketchbooks and paints, got my shades and backpack and travel umbrella and comfortable shoes. .  . but hey, will you pose for me? or better yet, tell me about yourself. Tell me something I will never get from a guidebook. Look into my eyes and let me see your lifetime of struggles and triumphs. Let me sit for a few moments and be with you. Soon enough I’ll fly off, but I won’t ever forget. Promise. (It will all be found in my sketch.)

It is hard to explain how this works, how the complete sensory experience of some moments in time gets stored in a sketch made at that time. Frankly it doesn’t even matter if the sketch is simple or poorly executed. Any travel sketcher will tell you that. It makes you realize that most of the time we’re living in our heads, not particularly noticing what is happening around us in the moment. And that translates into not having memories of those moments!

And we think we have such important things going on in our minds. Ha! (Sorry for the rant)

Back to the 30X30Direct Watercolor challenge next. Are you doing your watercolor-a-day? Need inspiration? check out these folks, Marc and Suhita.

 

 

Texture+Paint+Cut+Paste

Sometimes the greatest successes in mixed media painting are repurposed “experiments”.

We were doing the gesso texturing method called “decalcomanie” in Muse Group. Slather gesso on the paper, put another paper over it to “pull” the wet texture out to create a rough painting texture when dry. Then paint wetly over it.

shroomsr2 acrylic over gesso texture with collage on 10 X 11″ watercolor paper

A rush of golden energy punctuated with silver whisperings. It’s not time to lie down. This is the ‘shroom dance of spring, the spores rising and settling in a fine mist. It’s time now to wake early and watch the birthing of these golden days.

This painting was not the beginning. It started with various textures painted on two pieces of paper. The first (below) was a class demo/sampler of different acrylic textures, with pumice and sand and molding paste. It got very confused the more I tried to “finish” it.

shroomsrough

See what I mean? I liked the mushroom (‘shroom) theme and cut this painting up.

Can you find the mushroom (later modified somewhat) that landed in the first painting when this one (above) was cut to pieces?

shroomsr3

Now I have such an abundance of choices to collage into yet another painting in the series.

I also went through my collage file to find other elements that could be added.  Can’t wait to work on this some more. It’s an invitation to “build” another painting with the most interesting materials.

The Bouquets Continued. . .

On my visit to the Bouquets to Art exhibit at the De Young Museum last month, my eyes became saturated with the 120 stunning floral displays exhibited with the art they were responding to. I left with a voracious hunger for the floral image. Not surprisingly the fact that it is springtime here and everything that is not in bloom is swelling up with potential, has encouraged more bouquets of art.

homebouquet2

fountain pen and watercolor in Stillman and Birn Beta sketchbook 5.5X8.5″

These Calla lilies, picked from my garden and placed in a lovely little ceramic vase. Not a very skilled arrangement to say the least. But the next morning I saw that I had created a most humble but appealing Bouquet to Art! And so I sketched it to add to the collection in my sketchbook.

homebouquet

In the living room with my painting “Alvus” in the background.

And then as we started a new Muse Group, we used some fun mixed media techniques to create. . .floral paintings of course!

redsbouquetLots of acrylic paint slathered and fingerpainted on and scraped back to a warm underlayer of paint.

secretrsafterrain

There should be a way to get inside spring. To walk around first, hop up and grab a stem or branch, and stand up on the rim of it. Look down, and then ??

Secrets are like that. They don’t reveal themselves easily. They wait in the dark, hide behind the flowers and let you get all woozy with the fragrance so you forget to look. Do you really, really want to know what’s there?

Hang out a bit longer, just another minute.  Oh no! There you go again, drifting off. Spring is like that. Those blossoms give no sure footing, especially after a drizzling rain.

Does this part of spring make you a bit woozy? Does it make you want to do everything all at once and then to just sit still, do nothing, breathe it in? We’ve been drenched in sunlight here, watching the apply blossoms pop and the clouds of Pipevine Swallowtail butterflies drunkenly imbibing their blossom nectar brew, then swooping down to lay their almost invisible eggs on the vines.

Sgraffito

This word sgraffito is so Italian that I want to kiss my fingertips as I say it. It’s dictionary meaning is: a technique of ornamentation in which a surface layer of paint, plaster, slip, etc. is incised to reveal a ground of contrasting color.

sgrafitto1

fluid acrylic mixed with gloss medium, on gessoed w/c paper

For this demo I started with a few drops of green acrylic mixed with the gloss medium to make it more transparent. While it was wet I scraped (with a rubber color shaper) back to the white paper in undulating designs. When those green shapes were dry, I repeated those steps with the gold and red. The resulting design would make a lovely summer table cloth, don’t you think?

So for the next one I took on the challenge of staying simple while also going in the directions of a piece of art that has something, however modest, to say.

sgrafitto2

I used the same palette and sgraffito technique here with a touch of collage. It looked quite messy and gloppy. “So Bad It’s Good” but not really. As we always do in Muse Group, I did a free write which revealed the idea of the tropical bird, who flew in to take his perch afterward. He was very noisy, squawking into my ear “What’s your problem anyway?!”

Sgraffito is the technique you employ when you get that urge to scribble. You know, on those days when “Pretty” doesn’t feel right, and you’re a bit or a lot agitated?

In our Muse Group “laboratory” we discovered that it works best when you mix your fluid acrylics (just a few drops) with pouring medium or gloss medium because they are transparent and not as likely to glob up or get muddy.

So go for it. Sgraffito up a storm and maybe play some Italian opera to get in the mood.

 

 

Mixed Media and Sketch Workshops This Spring

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So what do I mean by “Previous sketching experience is recommended.”? This does not mean that you’ve got sketchbooks full of gorgeous drawings. It means that at least you’ve been out there at some point trying to sketch your experience, and enjoying the experience enough to want to do more of it and learn some ways to make it easier, to tell your personal stories with more color and pizzazz! If you don’t know if you’re ready for these workshops, contact me and we’ll talk about it.

For more information and to register visit my website, email or call me.

Health Benefits of Coffee!

Have you been reading about the recent studies on the health benefits of drinking 2-3 cups of coffee a day?! Especially great for liver functioning – go figure! But also some of us have known for a while that coffee has some positive effects on our art making, which always leads to more general health benefits.

In Muse group we did a lesson this week using tea and coffee to stain papers, tea bags and to “paint”.

pileupcoffee splattered w/c paper with coffee soaked Masa paper and cheesecloth collage

It starts to pile up after a while, the shorn off pieces with holes in them. As we spin around in space our linings get worn and raggedy. Pieces of skin are rubbed off. New lines and cracks and brown blemishes appear. And still the moon shines brightly, more so perhaps as we realize we are better tuned, lighter, brighter, less encumbered than before.

One of the things I try to do in this group each session (of 6 or 8classes) is to inspire ourselves with the work of a particular artist. This lesson was inspired by Deborah Benioff Friedman, a SF Bay Area artist whose work many of us viewed in a recent exhibit at the Sebastopol Center for the Arts. She uses tea bags and natural stains in her wall hung and sculptural work in inspired ways!

laundry

For years I’ve used tea and coffee stains to age papers and evoke historical contexts in mixed media works. This one also done on Monday is a bit more in the story-telling style I have often used. At times I’ve used pictures of my own ancestors in the mix. Here are a couple of them: My grandfather Lee Loffswold and his clan and my grandmother Selma Buskerud Loffswold’s family home.

To stain papers I soak them in extra strong tea and/of coffee and then dry them out in a 200 degree oven for 10-15 minutes. Mmmm and they smell good too (if you like the tea/coffee flavor that is.)

Let me know if you want to join us in the next 8-week session of the Monday Muse Group starting March 19. There are still openings! Visit my website for more information.