mixed media workshops

Welcome to my studio! (video)

We built my art studio when we moved to Sebastopol, California from the SF Bay Area 20 years ago. It’s a simple building where my creative spirit has taken flight and supported me for these many years through the many vicissitudes of modern life. It has been the home for my workshops and the setting for many ongoing friendships with students. And for years I opened it to the public for open studio events twice a year.

Since the pandemic and sheltering-in-place began three months ago, it has become a kind of hermitage. I have had to cancel workshops and rethink the ways I use my studio, as well as find new ways to encourage myself and others to actively pursue art. In that spirit I invite you into my studio to imagine with art with me.

Since the video here has no voice over, let me just orient you. As you enter you will walk counter clockwise around the room, looking out some windows as well. Those of you who have been here for classes will notice the more open floor. I took down one of the tables to make room to move for streaming Jazzercise classes! The comfortable chair is an addition as now I have the space to read. The paintings on the wall are mostly mixed media acrylics. There are tables to do Muse painting/collage, watercolor illustration, a wall section to clip Muse pieces up as they are “born”, a section for portrait stories of homeless women, and of course birds, birds, birds and then the garden where they live outside.

Enjoy watching the video, while I enjoy imagining meeting you here in person!
welcometostudio

To watch, click on the picture or see it here.

What a difference a word makes

Adding words to your paintings creates new layers of interest. That’s what we explored in Muse Group last week. Using word at the beginning, middle, and/or end. Layering it on, covering it over or uncovering like a palimpsest with traces of meaning remaining mysteriously, leaving the minds of the viewers to make their own sense and meaning.

flowing2I have been wanting to play with different tools to add words. Here I started with the “5 rhythm” piece from the first class, which was painted to flowing music, and used a white gel pen to draw in the word which itself seemed to flow through the color patterns.

chaos2 This piece was painted to the musical rhythm of Chaos, so I chose to use my ink pads and alphabet stamps to create a chaos of  letters, echoing the meaning of the words employing another level of movement.

lyrically2

I had treated myself to a new set of cling foam stamps by Jim Holtz idea-ology and tried them out here with a new ink pad color “potted soil”. The ghost of the letter stamp added a dimensional feel that was a great discovery.

To see the “before” paintings go to Paint the Rhythms and for more about palimpsests go to here and here

In Loving Memory of the Child

If you’re my age, chances are you learned to deal with the boredom of long winter days when there was nothing to do except invent something. (in other words, no electronics). And if you were an only child like me, whose family kept moving to different states, you had loads of time on your own. Luckily I had a mom who kept me endowed with art supplies. Scissors, pencils, paper and magazines, and an occasional empty shoe box were enough to keep me busy. Fashion design for paper dolls was high on my list of boredom busters.

But fast forward to my Muse Group, which met last week for the last class in the current series of mixed media lessons. I call this lesson “painting with water”, meaning that you paint a shape onto watercolor paper with water – either a spontaneous abstract shape or realistic one. Then you “charge” fluid paint lightly into the shape, add different colors, tip the paper to blend, paint outside the wet shape, etc, etc.

You can probably guess at my initial wet shape below. I had nothing in mind until I opened up a magazine and found the most outlandish “latest” fashion and started chopping it up for collage. . .just like when I was 6!

cutandpaste

fluid acrylics, collage, gel pen on w/c paper 10 X 11″

There will be a two month break til the next Mixed Media Playful Muse Group starts up again. I’m already missing my fellow Muse-rs who fill the studio with their uniquely creative energies.

Registration is now open for  next six-week series which will be held Tuesday afternoons, January 21-February 25, 2020. Visit my website  for more information and feel free to contact me if you’re interested in joining us.

Mirror, mirror

We tried a new idea in Muse Group this week. I called it “Use What You Get Collage”. Everyone came with a folder/file of at least 10 collage items that they’d picked because they fit together in some way- color, theme, designs.

In class we passed our folders to a person on the left, so we all had a “surprise” collection of collage pieces. It felt like a present and initially exciting!

From the folder we were “gifted” we each picked at least five collage items to which we could add whatever we wanted to make a finished piece. It turned out to be more of a challenge, for me at least, than I’d figured on! It took a lot of design-mind problem solving to make it work. And that’s exactly why it was so fruitful.

mirrormirror

Mirror mirror whatdoyasay?

the world may be ending soon

but I’m still here in this mess

refusing to ignore the beauty 

I’ll wear it in my hair

wrap it round my body

extol it, consume it, remember it

paint it and write it down

till the end of my time

and all without a whine.

A bit of clarification here. My collage gift pieces were all lovely greens and blues: National Geographic pages showing debris in the ocean, jewelry, woven textiles, rubber gloves . .. To have a focus I added the picture of a woman and some mylar for the mirror (which photographed as black).

I also added the following quote from a little book Women’s Wit and Wisdom, which you’re probably not able to read:

“While others may argue about whether the world ends with a bang or a whimper, I just want to make sure mine doesn’t end with a whine.”

War of the Splatters!

There are days when it feels like the wars “out in the world” are being waged internally as well. Those are the days to make splatter art with friends!

That’s what happened in my Muse Group on Monday as we took the lead from the irresistible Ralph Steadman, a Welsh illustrator who uses splatters and other ink irregularities to create irreverent mythical creatures. We started the class by watching this video. I recommend this as a great way to loosen up, lighten up and have a chuckle to avoid taking yourself too seriously and ruining all the fun.

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So we loaded up our brushes and mouth atomizers and splattered and sprayed, trying not to lob one on each other. . .

war!

And there was the war of the critters!

By the end of class the room had filled up with colorful, zany critters. Who knew all those creatures were just lying in wait to be liberated by a bunch of mixed media painters!

See some earlier Steadman inspired work here and here.

Strung out and the antidote

Do you ever find yourself in the mood to scribble? What about drip and splatter? Well it doesn’t always end up making for a unified, let alone pleasing piece of art. But it always leads somewhere.

strungout1

I thought I’d look at this recent mixed media Muse painting in pieces. This view turned out to be my favorite, because it illustrated the theme, which I didn’t realize until I wrote this:

Are you a bit strung out? Well yeah, aren’t we all. All bunched up together with our hair electrified, bleeding anxiety about climate and politics (impeachment?). Even  while we’re eating, we’re dreaming starvation And while comfortable in our homes, firestorms and earthquakes, hurricanes and tornadoes are breaking out in our brains. And we know there’s nothing much we can do now, too little too late…and the strings are knotting up and pulling on us and sometimes we can sort of ignore the discomfort and get on with lives of moving around in cars and on airplanes and discarding plastic and wasting food, and the knots keep getting tighter.. .

(More pieces of the painting here. . .)

Well, that’s one way of looking at what’s going on in our world. All quite true. But the artist has to be more agile, break it down, and look for other solutions.

Like the creature that appeared in Muse Group with an acrylic pour . I walked past it/him/her/them for weeks, until one day some words landed somewhere between my ears, and I was able to finish it, with great satisfaction.

grrblop

So allow me to introduce the excessively silly and somewhat shy Grrrblop! antidote to despair.

A new six-week Muse Group starts Oct 7, and there is one opening left at this writing. I’m thinking we’ll do a “greatest hit” series of mixed media lessons. That’s the best antidote I can think of! If you’ve been thinking you’d like to come, don’t wait, cause we’d love to have you and the window is closing up fast. For more info and to contact me and register visit my website.

Mixed Media Workshop next month

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This is the incubation time between Muse Group sessions when new mixed media lesson ideas are swirling around in my mind. I always bring back some of the ones we’ve been enjoying over the years, like crinkled Masa paper and smoke painting, but the seasons change and suggest new possibilities. El Dia de los Muertos is coming up soon. . .hmmm.

There are still a couple openings in this October’s session. Want to join us? Please visit my website for more info and to register.

The Three X’s

All over Amsterdam you see the image of three white x’s on a black stripe on a red background. One can’t help but wonder what it means. It looks a bit like a pirate flag. But since I was there I’ve learned that the X’s actually stand for St. Andrew’s crosses. St. Andrew was a fisherman who was martyred on an X-shaped cross in the 1st century AD, which is relevant to Amsterdam as the city’s symbol dates back to 1505 when it was a fishing town and all ships registered in Amsterdam flew this flag. (Thank you to a FB and Instagram friend for clarifying)

The only reason I bring this up now is that those X’s popped up in my art demo in Muse Group on Monday. The lesson was painting on a black painted surface. Interference paints are iridescents that only show up on a dark surface where they seem to throw the light around.

3xInterference acrylics and collage over black gesso coated w/c paper

Presenting. . . (drum roll) the three X’s!

Not as in X-out or don’t you dare, or wrong times 3

but as in, this is a riddle. . .

What happened when the 3 X’s went for a walk and suddenly found themselves on stage and had to act out a character?

Answer:

One was dressed in bright stripes and struck a fashion model pose

Another was in black and took a defiant stand

And the third shy one was in blue like the background and happy to blend in.

Which one were you?

Interestingly most of the Muse Group students agreed with me that they would prefer to be the one who blends in. But gosh, it’s fun to get a little bit of spotlight every now and then!

A Lesson in Pouring Acrylics

We poured acrylics this week in Muse Group, using Pouring Medium (Liquitex or Golden) mixed with fluid acrylic paint (about 10/1) poured from cups we mixed it in. The Pouring Medium gives you a leveling paint film with “rheology” or “flow”. So the colors flow together as you tip the paper back and forth. It also gives you spontaneous effects that you could never have dreamed up or accomplished “on purpose”. And if you have a fertile imagination, which I’m sure you do! the image which results might even have something to say!

pianogrief

fluid acrylics mixed with pouring medium and moved with a rubber spreader

I’ve been hanging here a long while. Not at all the budding musician I was at eight when Mom would drop me off at the piano teacher’s house, until I’d endured three years of mediocrity and dread about recitals. . .and learned to play a bit, Fur Elise and all that. . .and then quit.

Fast forward 60 years and another try at it. . .for fun this time. . .until it seemed that the bit I could play had only shrunk.

And so our lovely piano is on its way out now, for sale to someone worthier. No longer will I own that bit of cultural cache. My chin sinks, along with those early dreams of musical excellence (WHICH WERE MY MOM’S, NOT MINE!)

You gotta love moms. I mean it’s great the way they root for you, tell you to hang in there because you can accomplish something great. My mom actually thought I would be an accomplished pianist (like she wished she had been).

fishies

Once again this was fluid acrylics mixed with pouring medium, dripped from a cup onto watercolor paper. The marbling effects spontaneously appeared as the paper was tilted! The hungry fish that appeared was so engaging that I created some other fish from acrylic skins. It’s easy to make acrylic skins with the leftover pouring medium mixture by pouring it onto plastic, letting it dry, and cutting out shapes! I glued the little fish down with gel. Now the big kahuna will not go hungry!

Notre Dame burns, Ouch!

Our beautiful spring weather turned gloomy and cold for a while yesterday. We were in Muse Group exploring inks and the Wabi Sabi aesthetic and sharing what we knew about the beloved Notre Dame cathedral burning in Paris. The world always has a way of infiltrating art that is made with a spirit open to spontaneity. Here’s what happened to mine, quite unconsciously at first. . .

duckforcover

Higgins India Ink, copper acrylic, paper collage on 10 X 11″ watercolor paper

The ashes are falling as Notre Dame burns today.  A good time to take cover and even burrow. How can this be?

If you’re interested in the kind of mixed media explorations we’ve been doing in these groups for at least a decade now. . .

Here’s the new spring/summer schedule of Playful Muse workshops (on Mondays) in my Sebastopol studio!

May 20, June17, July 15 – 1:30-4:30pm Can be taken as a group or individually!

August 5, 12, 19, 26, a 4 week series – 1:30-4:30

These will be posted on my website soon. Meanwhile contact me to reserve a spot!