walnut ink antiquing spray, inks, gesso texture, collage on w/c paper
It is a certain that the moon will rise, bringing with it the dark recesses and somber doings of night. Each window curtain will absorb the moon glow and breathe out a new movement; a duet, a regal march, a spritely polka. But most of us will never hear the music of moon time.
You ask “Are you asleep? Or are you willing to keep watch with me some night, to gaze up at the moon and listen, to wear your feather hat band and billowy skirt, but keep your feet bare. Run out to the dew laden grasses, cast down your sparkling shawl and lie gazing up at heaven. You will hear the moonbeam concert and never be the same.”
The Muse Groups’ lesson this weekend was “decalcomanie”, the texturing technique using thick gesso pressed between two paper surfaces, then pulled apart to create ridges which resemble patterns of coral or sometimes bird wings! Here you see it used in collage pieces cut from a larger piece, along with some rubber stamp patterns, lace, feathers, ink drawing and walnut ink spray in two shades.
We also conjured up the Dangerous Old Woman archetype, borrowed from Clarissa Pinkola Estes’ wonderful audio book of the same name. The D. O.W. is the one who protects that spark of goodness in us. Danger is meant here in its old form meaning “you stand in my danger” or under my protection. She is the champion of our eccentricity because it points to the gifts of originality we have to offer. It’s not particularly comfortable to be with her though, because she is wild, unpredictable, and full of paradox. Her teaching is that “normalcy is the enemy of giftedness” and we must be willing to horrify the few in order to inspire the many. A tall order, but what else can we do on this path of art?