gouache portrait

A Month of Portraits

Scanning through the pictures on the Sktchy Museum app is something I enjoy doing at otherwise idle moments. Click! and my favorites are bookmarked for whenever the next moment time presents itself at my sketch table, which is generally about every other day, especially right after dinnertime.

It’s easy to get behind on sharing them here, so today will be a bit of catch up. I will try to share what struck me about each one that made me want to try it, and a bit about materials and approach. The models are people who have posted posed pictures of themselves for others to sketch.

fountain pen and watercolor in 7X10″ Field Watercolor Journal

It’s obvious why I wanted to sketch this goofy guy with the crooked mouth! The pose inspired me to draw directly with pen in the scribble-til-it-looks right method.

Again practicing drawing directly with pen in continuous line and then adding a rapid application of watercolor, using sap green, opera, and sepia with very little mixing, to design light and shadow shapes. 

pencil and watercolor

This time I tried the softer scribble approach of using pencil for the drawing (no erasing) and wet application of the watercolor. Painting the hair this way was a revelation! Descriptive without being fussy, and it took only a couple minutes, letting the water do the work with the pigment.

pencil, gouache

Such an expressive face! I tried “sculpting” the light and shadow shapes with gouache applied somewhat thinly like watercolor, so it’s hard to tell the difference.

fountain pen and watercolor

Another pen scribble portrait. I ended up wishing I’d been more careful with the drawing. It was such a great pose! Reminded me of when my son Ben used to carry his leopard gecko around on his shoulder!

pencil and watercolor

The he-man pose and the pompadour hair. How could I resist. A darker background might have been better, but then there was something about the little-boy-blue that also seemed to fit.

Derwent Linemaker pen 0.3 and watercolor

Using lots of pen lines here made it possible for the watercolor to go on in a less self conscious way.

pencil and watercolor

Back to a pencil drawing the next day! The alternation of materials is more entertaining for my restless mind.

white gouache on black toned paper

Such a soulful pose! A completely different process of drawing and painting with white on black. I had no strategic approach, except to keep adding and lifting off the white paint, adding a touch of black gouache when I needed to reinstate the darkest black. I couldn’t be bothered with making the applications smooth, and it wouldn’t suit the edginess of the subject anyway.

Derwent Fineliner pen and watercolor

Here’s another one I wish I had drawn in pencil so that the scribbly lines didn’t distract from the beauty of watercolor. Such an incredible pose! and the hair!

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Some last portrait efforts for Inktober

My background in watercolor painting delayed the fascination with pens and inks, which has emerged dramatically this month in my sideways efforts to draw along with others participating in the Inktober challenges.

Diamine Silver Fox ink, Noodlers Red-Black ink and white gouache on beige toned paper

In another set of portraits here I am practicing techniques with a range of materials, exaggerating sometimes, refining others. All the subjects/muses are shared freely on the Museum app (Sktchy) where you can also find online workshops. The above muse was offered by Mad lab Studio. Must have been a wig, and what a chizzeled face with great shadow shapes! – the necessary ingredient for portrait work.

Silver Fox ink, fountain pen and gel pen, white gouache on beige toned paper

When you start with a picture like this one was of Nic Rez, it practically paints itself. My favorite – the light bouncing off the lashes.

Silver Fox ink, white gouache, watercolor on gray toned paper

Nathan Mussig reminded me of my Norwegian and Scottish forebears!

Pocket Brush pen, watercolor, gouache on gray toned paper

Inspired by a long time favorite portrait artist of mine, Roz Stendahl, I put my pencil aside and went right in with the pocket brush pen and the blackest of inks! What I sacrificed in accuracy I gained back in enjoyment and expression. Good to remind myself, after all, it’s more important to me to make a picture that speaks with authority and some kind of humanity than one that gets all the features in the right place. How easy that is to forget. I told myself to keep going with the direct-to-brush-pen technique, but I must have either chickened out yet again or forgotten. . .

Sailor Fude pen, watercolor, gouache on gray toned paper

. . .because when I got back to portrait-ing a few days later, I did a careful pencil drawing of this fellow Chris Jones, and decided to practice using the Sailor Fude fountain pen, which many of my urban sketch friends use so masterfully and I have found difficult to maneuver at best. I embraced my clutziness with the pen, but the real discovery here was the strange framing of black lines around the face and the zipper bizarreness. It looks almost like a mask on a stick, so you do a double take. Gotta try that with another portrait some time. . .if I remember.

Characters

white pencil and gouache on black toned paper

We all love characters! They wake us up and make us realize that being a human is an amusing business, capable of endless entertainment. And Derek McClure, of Sktchy fame, is one. . .or many as you will see here. I have sketched him in his many personas. He photographs himself at angles that distort and amuse. My lack of skill with gouache and BLACK paper help me to relax a bit and just give it a go. 

watercolor on beige toned paper

Here he is again! eye popping and jaw dropping his challenge to “paint me!!” I draw it with pencil and then just, gulp, dive in anywhere to start painting. Eventually it starts to look like someone, and so I throw caution to the wind, and keep painting, glad that no one’s looking. Telling myself that I don’t HAVE to post this on my blog. The best part is the end, coming in with white gouache for the highlights and white pencil or pastel for the hair. And, well maybe I’ll post it after all. I always do.

Faces in Endless Variety!

This month’s Sktchy app’s 30 faces in 30 days event has turned international with so much variety of poses! I’m way behind in posting my efforts. Although I signed up for the Sktchy School with a different teacher demo each day, I’ve not been able to watch most of them, but I’m enjoying looking at the teachers’ choice of model and approach. It’s all watercolor and gouache, and each teacher puts their personal stamp on what they do. I’ve been enjoying alternating between watercolor and gouache and trying some new techniques.

watercolor in Field Watercolor Journal with Fluid Watercolor Paper

This was Michael Creighton’s lesson. Not at all the way I usually paint but I really enjoyed this almost pointillist method of painting in brushstrokes! My impatience made it needlessly messy, but I liked the overall effect. Thank you Michael!

gouache on beige toned paper

Gouache makes for a more sculptural effect, and I like the creamy texture of the paint and the ability to paint light over dark.

pen and watercolor

I’m finding that I spend a lot more time trying to get the drawing “right” than with the painting. This one feels unfinished to me, but it was getting late and. . .so I grabbed my pen . . .What a fun subject though! He really had that blue hair with beads in it!

Pthalo blue and Quin Rose watercolor in Field Watercolor Journal

The idea for this two color portrait was from the teacher Kate Tsunoda and with an outrageously wonderful model.

watercolor

It took me forever to get this drawing close, and then it almost painted itself.

watercolor and white gel pen

This Indian gentleman with his mahogany skin was a great subject for layering of pigments.

watercolor

Another one of those characters that I would like to meet. He personifies delight! and don’t you just love his hair? an opportunity to make all those curlicues.

I just bought some more gouache colors and am looking forward to putting the paint on thicker in my next portraits!

More Faces

Most of the Muses on the Sktchy app, that is the folks who submit their picture for anyone to draw, most of them are themselves artists. Just as most of the figure models for figure studio groups are themselves artists. And that makes for some great poses with that elusive and greater sought after trait. . .Character! Here’s some more of my portrait practice.

gouache and pastel pencil on black toned paper

Those of you who are doing the #30faces30days challenge this month may recognize this muse, but do a double take. The model is a white man, but very quickly my drawing steered into person-of-color-with-a- Portland-style-man-bun territory, which I liked very much.

The caption here should read “it’s about the eyes”, and I considered cropping off the rest, but that would be too startling.

Some day maybe I’ll finish the head wrap, but by the time I got to it I was worn out. It just begs to be decorated, but then I would have to do more with the face to compensate, and I thought I’d better leave well enough alone.

I slowed down on this handsome Indian face, starting with light washes and gradually building up. Green worked really well in the shadow shapes. It’s always a bit scary to put that first brushload of green down, but it even works well in a glaze over the warm skin tones.

Portraits on Toned Paper

The Sktchy app keeps feeding my need to explore various media while practicing portrait skills; perhaps for the eventuality of finally being able to do portraits of new people I meet in person. . .unmasked. What a concept!

So here’s the latest, as I draw along with the current #30faces30days artists, only not in pencil, which is what is being encouraged this month. I’m alternating on the gray, black and beige toned papers in the 7″X10″ Nova Trio sketchbook by Stillman And Birn.

pen, watercolor, gouache on gray toned paper
pen, watercolor, white gel pen, w/c pencil

Sometimes I get frustrated enough that I just start grabbing other media and scribbling. I almost gave up on this one, then decided I’d gotten a couple of things right and should be satisfied! Perfection is just so boring anyway. Haha!

I would title this one Medusa, even though it’s a gorgeous guy. He’s also an amazing artist you can see on Sktchy, Derek McClure.

White gouache on black paper

This was another great exercise in negative thinking! meaning applying paint in the exact opposite way one does on white paper. I started the only way I could think, by drawing with a white pencil and then struggled to apply the gouache in a variety of values, but it didn’t exactly cooperate, at least not using my watercolor application methods! But if you overlook the messiness, at least it’s not a boring portrait, and my design brain got a real workout.

Anxious

 Have we used up all our anxiety on police brutality and racial injustice, the pandemic, global warming, and the upcoming elections? Apparently not.

Once again there are dark smoky skies raining ash and a neon red hot sun, and we’re spending our days checking the evacuation maps and nights  listening to our cell phones ding/beep/shriek at us about new warnings. 

My family of three is still here, watching and waiting, and not so close to the fires as we were a month ago. But oh lordy, my friends across the plain are evacuating and it’s another deja vu. 

It calms me down to sketch people. This guy is from the Sktchy app that has the interesting poses. When I finished it this afternoon I realized he looked like an evacuee, waiting to find out if his house burned down.

I never really spent much time learning to paint with gouache. It’s really quite different from other mediums. But I’m determined to make use of the black toned paper in my sketchbook and I need to use an opaque medium. So I will just muddle through and keep trying til it becomes more natural. I finished it off a bit with pastel pencil.

I thought I’d save this one for Halloween! I mean we can’t go trick or treating this year so maybe I’ll just sketch more of these. I made a pretty girl look a bit goulish. She did have yellow hair though.

Decided to sign up for the Inktober challenge on Sktchy and practice some new ink portrait licks with tips from the teachers.  I’m hoping it will keep me from the anxieties lying in wait at every turn. Want to join me?