goats

Redwood Hill Goats

Oh for the love of goats! about twenty sketchers showed up at Redwood Hill Farm in Graton on Saturday. It was the Ready, Set, Sketch (country-style) urban sketchers group which meets once a month on the second Saturday of the month at some location in Sonoma County. We had the added treat of a farm tour led by fellow sketcher and member of the Redwood Hill Farm family, Sharon Bice. redwoodHill2_1

I’ve been wanting to get over there for a long time, but something always came up. The farm is about 7 minutes drive from my home and I have long been a fan of their cheeses.

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But what I really hoped to do was to hold a baby goat or kid, that is. And here is the wish come true. Three days old, this one. And he/she snuggled and suckled and covered me with that velvety goat milky smell. Ever since I’ve been imagining having my own little goat to raise! After all it will be a while (or never) til I get a grandchild of my own to hold!

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But there were chickens there too of course, and I felt rather rusty trying to sketch them as they scratched around and then quickly disappeared into the coop to lay their eggs!

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The adult goats were hanging out in the barn, many different breeds of them. I found a spot standing next to the feeding troughs where they would come up to check me out while I was checking them out. It’s not an easy thing to draw a goat. The proportions of their heads are so very unintuitive. I mean the eyes are way farther up in the head than you would assume, and those horizontal black bands in the eyes? Like an alien. . .

And like most animals, goats are not very cooperative about standing still and posing. Add to that the fact that when they look you in the eye with those fascinating golden eyes, you lose track of what you’re doing and just want to soak up their friendly interest.

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Personality and fecundity seemed to be the dominant traits of this group. It was a bit perilous to open the palette while propping the sketchbook up on the feeding trough bar. It became an instant object of interest to the feeders who stopped by to knock it around a bit. But it was the only way to study this fecund group resting together in dirt and alfalfa.

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Finally, worn out by trying to balance the palette with frequent interruptions, I headed outside to sketch another view of farm life, the last of the day.

 

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Sketching at home

When it’s not the season for travel or time for local event sketching, there’s always what is close at hand. I no longer sketch my food and drink, which is recommended by some of my favorite luminaries such as Danny Gregory and Liz Steel. But I’ve had my eye on the rusty mailbox next door, and then there’s always the goats at the bottom of the hill.

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Lamy Joy fountain pen and watercolor in soft cover Beta Stillman + Birn sketchbook

And then there’s the town I live (outside of), Sebastopol, where I’ll be teaching two workshops this spring. The first is “Introduction of Sketching in Public” on March 25th. So I’ve been wandering around town with the eyes of a tourist sketcher to find what one could capture quickly in a workshop setting.

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A lovely water fountain in the plaza and an exercise in connecting it with the background while leaving out most of the rest of what was there! That’s the hard part.

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I found a bench in the sun and had a few minutes left to doodle some people. I often end up liking these “doodles” better than the more finished ones. You’d think I’d learn.

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But another day I had more time, and a good spot to sit with a friend and kept sketching awhile after my subject had left. Of course they always leave before you’re done!

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fountain pen and watercolor in Toned Tan Strathmore Art Journal

And then there’s always the selfie. This one done while on an hour-long phone call in front of my computer (one looks for time where it is to be found), which might account for having lost a bit of the top of her head. Oh well.

I’ve had people tell me I should paint more attractive self portraits of myself, but this is so much more amusing. I think I feel a series coming on. After all, you don’t have to pay this subject to sit and she’s always available to sketch live!