More of my student work today, this time from Etchr Studios workshops where a lot of my favorite urban sketchers are offering classes. I met Pedro Loureiro a few years ago during the International Symposium of Urban Sketchers in Portugal. He’s a master of reportage (visual journalism) and capturing people in lively scenes. One of his Etchr courses, which you can watch on demand, is Humans in Action: Figures and Gestures in Ink and Watercolor.
(The artwork posted here is my student work)
This is a scene I probably would never have tackled, but Pedro breaks it down into foreground, mid ground and background; simplifying, suggesting rather than detailing, and sticking to more neutral color choices to unify. No pencil here. Students were asked to just pretend we were actually on location with all the movement and visual/kinesthetic/auditory/aromatic inputs and keep the pen moving! Watching his pen move across the paper in flowing motions was ample inspiration to give it a try!
In another workshop with Pedro I discovered my achilles heal. My perceptual capabilities break down when I have to switch from foreground figures to tiny people in the distance. (Only part of that can be attributed to my poor distance vision, haha!) Surely it’s a matter of practice. I didn’t recover from the urge to toss this paper in the trash until I added watercolor. Focusing on patterns of light and shade on the figure is the speediest way to render a figure in motion.
This scene is the sort I love to sketch. With such a clear figure as star of the show the question is how to include figures in the background as supporting actors. By simplifying them with simple line, no detail and neutral color washes they add interest without distraction.
Some other watercolor teachers I enjoy on Etchr are Eleanor Doughty from Seattle and Bianca Ryala from Phillipines. But there are so many intriguing short workshops to try!