black toned paper

Portrait Art for Sanity Sake

watercolor on beige toned paper in Stillman + Birn NOVA TRIO sketchbook

I always learn a thing or two from Canadian artist Margriet Aasman on Sktchy. In the demo that inspired this portrait of mine she used red and blue pencils for some strategic lines and then proceeded with watercolor. It just really perked things up! along with some white accents on the toned paper. The hard part, as always, was getting the nose in the right place in this slightly off center pose.

It was easier to draw the second time. Figured I’d try it again, this time with gouache, for me a more difficult medium.

gouache on white paper

Honestly I almost gave up on gouache again, enough to throw caution to the wind with the hair. And that turned out to be my favorite part! The lesson in this, as always, is relax, take a chill pill. Painting is not meant to be torture.

watercolor on white w/c paper

Another of the Sktchy lessons in the 30faces30days March series was with a Russian artist Michael Solovyev. He uses the strangest scraggly looking brushes and makes it look like magic. He kept saying you don’t paint the figure, you paint the light!  By the end I was ready to give it a try. He’s right of course. The other brilliant thing he said was to keep the contrast down in the shadow areas. 

colored pencil, watercolor on gray toned paper

Then Andrew posted a picture on Sktchy and I couldn’t resist painting it. I got this far and it was really looking like him and that scared me. So instead of adding more paint and possibly ruining it, I stopped and photographed it. The look is androgenous and angelic, neither of which I would use as adjectives to describe my son. 

So I kept going, and then stopped again. The values weren’t right. 

So I added darker value to the side of his face and called it quits. It’s always an arbitrary stopping point. I run out of patience, time, skill, whatever and it’s time to move on!

gouache on black toned paper

The NOVA Trio toned paper sketchbook has three tones: Grey, Black, and Beige. For a while the beige was my favorite, then grey, and now black!! I love the drama of it, and by the time I finished this one, I’d decided to go over to the gouache side for a while.

Gouache on black toned paper

And today Andrew and I both decided that gouache is where it’s at. It’s F’in lit! (Can you tell I’ve been hanging out with a 28 year old?) I mean, so much drama at your finger and brush tips! especially on black toned paper.

Meanwhile we’re showing our house for sale, which means vacating the house a bit each day after making everything shipshape. Even a bit of art making helps keep us sane.

Anxious

 Have we used up all our anxiety on police brutality and racial injustice, the pandemic, global warming, and the upcoming elections? Apparently not.

Once again there are dark smoky skies raining ash and a neon red hot sun, and we’re spending our days checking the evacuation maps and nights  listening to our cell phones ding/beep/shriek at us about new warnings. 

My family of three is still here, watching and waiting, and not so close to the fires as we were a month ago. But oh lordy, my friends across the plain are evacuating and it’s another deja vu. 

It calms me down to sketch people. This guy is from the Sktchy app that has the interesting poses. When I finished it this afternoon I realized he looked like an evacuee, waiting to find out if his house burned down.

I never really spent much time learning to paint with gouache. It’s really quite different from other mediums. But I’m determined to make use of the black toned paper in my sketchbook and I need to use an opaque medium. So I will just muddle through and keep trying til it becomes more natural. I finished it off a bit with pastel pencil.

I thought I’d save this one for Halloween! I mean we can’t go trick or treating this year so maybe I’ll just sketch more of these. I made a pretty girl look a bit goulish. She did have yellow hair though.

Decided to sign up for the Inktober challenge on Sktchy and practice some new ink portrait licks with tips from the teachers.  I’m hoping it will keep me from the anxieties lying in wait at every turn. Want to join me?

FaCeS

I have been an art store junky for many, many years. And so I am quite well equipped to tackle new materials whenever the fancy seizes me. I recently purchased a Stillman + Birn’s Nova Series toned paper sketchbook with beige, black and gray pages. 

I’ve been loving the beige paper for my portraits, after a long run of doing them on the gray, with pen, watercolor and a few touches of pastel pencil. The Sktchy app supplies me with the most wonderful subjects, which they call “muses”. Like this adorable guy Zel.

But in order to break into the black paper section of the sketchbook, I got out my gouache paints with the pastel pencils.

This may be the dawn of the up-in-your-face faces! All my fine watercolor skills flew out the window. How liberating. Gotta do more of these.

Meanwhile my in-person model is available and I’m taking advantage, in yet another, more familiar style of watercolor-what-you-can-before-it-moves.

We actually had breathable air today and a sun we could see and even a blue sky!