Amsterdam Part III

The International Urban Sketchers Symposium can at times be a humbling experience as one gets to observe some of the most accomplished sketch artists from around the globe. It is tempting to hide one’s imperfect sketches, or even give up! But here’s what Vincent had to say:

If you hear a voice within you say “you cannot paint”, then by all means paint, and that voice will be silenced. -van Gogh

So I headed out in the relative cool of the morning to tackle canal reflections, boats, buildings and bridge. . . to paint.

And what I loathed about this sketch at the time with its clumsy inaccuracies, I quite enjoy looking at now. The point of the sketch was obviously the red boat, which I accomplished, and some similitude of a reflection in the water. A bit of cropping would undoubtedly help, but that’s not the point here.

That particular canal was shaded and serene, so rather than wandering on when I’d finished one sketch, I stayed to do a study of one of the colorful row houses that are so typical, along with other common aspects of canal life. One is always “serenaded” by waterfowl on the waterfront.

I wandered a bit as the day heated up, staying close to the canals, hoping for a breeze, observing canal houseboat life. It didn’t look like any of the houseboats which lined the canals had air conditioning – not so idyllic a life in the 100 degree heat!  Even the swans looked hot, or perhaps that was my imagination? After all, at least they were in the water!

I found a table in a busy market square at lunchtime, right next to the hot baked potato booth, which not surprisingly had almost no business in this record breaking heat wave. The potato chef, delighted to have myself and another sketcher to watch, hung out with us, helping me at least to get the mind off physical discomforts.

During the hottest part of the day I holed up in the air conditioned hotel, feeling boundless gratitude for its welcome comfort. From a relaxed vantage point in the lobby ice cold beer in hand, I sketched my homage to Motel One Waterlooplein!

Evening was for enjoying beer, dinner and good company again at the Drink and Draw, though no relief in temperature (note the walking shoes are off).

From my seat I could see the Zuidekerk, also known as the Hub, where the Symposium was meeting.

 

And before I knew it I was late getting out to join the sketchers on the river. The sun had dipped below the horizon, the city and boats lights cast a spell on the scene, and I was sketching in the dark! Luckily I at least knew the location of my Quinacridone Gold and Payne’s Gray on the palette and just stayed with those.

I often think the night is more alive and more richly colored than the day. – V. van Gogh

To be continued. . .

 

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Amsterdam Part II

By my third day in the city the heat was steadily ramping up, making it not only uncomfortable to walk around, but even to sit in the shade. I thought the Hortus Botanicus garden would give some respite, but it was more of a steam bath.

Ah, but the palms! Focusing the eyes on them in concentration helped, though my fingers were slippery with sweat.

That day an almost cool wind made the early evening pleasant in the park by the canal. People were taking advantage of it, and I enjoyed the constant giggling of the group of stoned teens in front of me, as well as the family of ducks that came begging for crumbs at my feet as I sketched.

The Urban Sketchers Symposium was officially launched, though I had chosen to be more of a free agent, sketching on my own or with others around the city and participating in an abridged fashion. That night I met up with Agnes, an old friend I see now only at Symposiums, and we dined canal side across from the “Drink and Draw” location, where I would meet urban sketchers the next two nights. As we sat drinking our beer we were flanked by sketchers from Germany and Spain and the UK.

The next morning I attended talks by three urban sketchers I revere: Laurie Wigham, Lapin and Mario Linhares. Laurie’s talk was titled Connect with the world, one drawing at a time, a variation on the urban sketcher motto. We had worked together on her brainchild project of Sketching Climate Stories which had led to my work with Sketching Fire Stories. I hope someone recorded her inspirational talk about the impact we can have on the world with our practice of going out and sketching stories and meeting and interacting with people as a result.

 

Umbrella over head and loaded with an extra water bottle, I left the cool of my hotel around 5pm and was hit by a blast of heat that took my breath away. Vincent knew about the discomforts of on location painting. He wrote:

As we advance in life it becomes more and more difficult, but in fighting the difficulties the inmost strength of the heart is developed. -van Gogh

In other words I thought, bring it on! I’m not going to melt, (though I might pass out!)

At a snail’s pace and on the shady side I proceeded to the organized sketchwalk area and found a spot on a dock in the shade. What caught my eye was the wonderful square geometry of the buildings across the canal, so Mondrian-like. Normally I get quite bored doing windows, but these somehow relaxed me.

Meanwhile there was a great deal of splashing and screaming behind me as young people plunged into the brown water to cool off. Pretty eye catching colors on this drawbridge! Mondrian again!

That evening I got in some socializing at the Drink and Draw and joined sketchers from all over the world at the edge of the river to do a quick atmospheric rendering of the spectacular night scene. After wetting the whole page I started painting like mad, unable even so to keep up with the light that was rapidly changing everything, and the excited people blocking my view!

To be continued. . .