acrylic and collage

Muse Group Sessions for Spring + Summer

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For more information about the Playful Muse workshops and to register please visit my website.

Open to Spring?

Happy Easter! Happy Passover! Happy Spring!

There’s no little ones here to go egg hunting with today and so I’ve been watching butterflies and following a vibrant buzzing to the bumblebee nest outside my studio wall. It’s actually a birdhouse that’s been taken over by nectar drunken bumblers. Yellow pollen is dripping down the outside, giving away their hideout. And there’s always at least one of them, tipsy and hanging out on the edge, with buddies just inside.

But I was inside for a bit too, and finished this piece from a lesson earlier in the month, adding words from today.

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layers of acrylic inks and glassine papers with monoprints

Are the windows in my mind open to spring?

Can my animal heart relate to the heavy breath of blossoms and buzzing bumblers?

I was a bit overcome today with the warm scents, the rapidly unspooling ferns, the snowy cloud of apple blossoms, and the tapestry of weeds calling out to be pulled!

Ah Spring. Is your mind and heart open to it? It’s a very strong cocktail!

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I went back to take a picture for you, and the party had grown! Sounded like they were really getting down!glassinepapercollage1

Another one, with a tree theme, and lots of layers, collaged and painted.  I was shooting for golden light shining through the orchard and those birds, and maybe a yellow brick road for Dorothy to skip along with her friends and Toto.  But then there was this blaze ripping through the trees and across driveways. . .it’s hard to forget about that fire. . .

If you want to join us this spring and summer, for my mixed media workshop titled The Playful Muse, here’s the new dates, just published!

May 20, June 17, and July 15, 1:30-4:30 in my Sebastopol studio. (You can sign up for one or all three.)

4-week August Session: August 5-26

For more information and to register contact me.

 

 

Notre Dame burns, Ouch!

Our beautiful spring weather turned gloomy and cold for a while yesterday. We were in Muse Group exploring inks and the Wabi Sabi aesthetic and sharing what we knew about the beloved Notre Dame cathedral burning in Paris. The world always has a way of infiltrating art that is made with a spirit open to spontaneity. Here’s what happened to mine, quite unconsciously at first. . .

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Higgins India Ink, copper acrylic, paper collage on 10 X 11″ watercolor paper

The ashes are falling as Notre Dame burns today.  A good time to take cover and even burrow. How can this be?

If you’re interested in the kind of mixed media explorations we’ve been doing in these groups for at least a decade now. . .

Here’s the new spring/summer schedule of Playful Muse workshops (on Mondays) in my Sebastopol studio!

May 20, June17, July 15 – 1:30-4:30pm Can be taken as a group or individually!

August 5, 12, 19, 26, a 4 week series – 1:30-4:30

These will be posted on my website soon. Meanwhile contact me to reserve a spot!

 

 

Busy Season

Is your garden growing an inch a day now? or at least the weeds? Mine is. And spring projects, long promised are begging for attention. In Muse Group this week we made monoprints with our acrylic paints, using stone paper for a plate. (More about Stone Paper here. )My first “pull” was a vibrant one that turned into a story for this time of year.

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the earth is busy sprouting

so here I dream of apples

of birds darting and swooping

on spring’s many errands

 

yet still

there are only buds

plumping up to make pink popcorn

and seduce butterflies

The plum tree has bloomed and leafed out. The weeping cherry, beneath which my mother’s ashes lie, has just bloomed. And I wait expectantly for the apple blossoms whose sweet nectar is an invitation to the Pipevine Swallowtail butterflies, that lay their eggs on the vine, so that I may daily visit the hungry munching caterpillars with the orange polka dots. Simple pleasures of spring I must make time for.

Many Cooks

Sometimes many cooks can spoil the broth, but not always. We started off the new Muse Group series with a brand new (recently dreamed up) lesson called “Pass the Painting”. It’s a cross between a party game and group mixed media painting experience, an exercise in freedom of expression without excessive ego baggage.

It’s a way to warm up and relax into intuitive painting (mix media style) where you use the following ingredients in layers, like a layered party dip:  black ink, gesso (black or white), image collage, tissue/rice paper collage, acrylic paint (color!), pattern collage, word, and free choice. You pass the paper to the person on the left after each addition.

In a group of eight artists, you finally end up with the painting you began, and it’s yours to keep. Each pass lasts 5-10 minutes and you have total permission to mess up the painting with what you do, (even though you’re hoping to improve it) You will most certainly fail sometimes, but no one but you will know, and you won’t have time to care, because you will pass it on and someone else will have to deal with it. How cool is that?!

I fully expected that there would be some groans, but was delighted by the positive response, and even motivated to share the results. Each of the following pieces contains a contribution by the same eight artists, of which I am but one.

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Although this adventure was supposed to be about freeing oneself from ego, we ended by patting ourselves on our back(s) with pride for how it turned out!

Transparent Overlays

I’m still catching up on Muse Group demos from June. I had promised in the last class that we would do image transfers, but realized that it’s better to have another week to work on them, since the technique can sometimes create some false starts. So instead we used transparent overlays.

This is a great technique to use when you’re not comfortable with your drawing skills but want to incorporate a drawn image into your painting surface. Trace the image you want onto a transparent overlay, which could be regular tracing paper, light-weight “rice paper” or Dura-lar (the acetate alternative).  Move it around on the painted surface til you find the sweet spot where the paint shows through to advantage and glue it down with gel medium.

The bird here was my tracing. The paper became transparent when the medium dried so the underpainting shows through.

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acrylic inks, transparent image overlay and other collaged paper on w/c paper, 10 X 11″

This señorita keeps her song going all June long. Dresses herself in colors each day, strutting along the limb, doing the limb-o all warm and fluid like an island girl. She keeps one eye on me and wonders why I wear a long face some days, when there’s always a heady fragrance and new tune to dance to.

Come eat your lunch with me, she says. Pura vida! What could be so bad anyway?

Well, don’t get me started, little bird. Don’t you read the newspapers?!!

Nevertheless, I appreciate her concerns, and so I’ve taken to eating my lunch outside under the flight pattern of birds between the bird feeder and fountain where they bathe. It goes a long way to lifting those cares.

Texture+Paint+Cut+Paste

Sometimes the greatest successes in mixed media painting are repurposed “experiments”.

We were doing the gesso texturing method called “decalcomanie” in Muse Group. Slather gesso on the paper, put another paper over it to “pull” the wet texture out to create a rough painting texture when dry. Then paint wetly over it.

shroomsr2 acrylic over gesso texture with collage on 10 X 11″ watercolor paper

A rush of golden energy punctuated with silver whisperings. It’s not time to lie down. This is the ‘shroom dance of spring, the spores rising and settling in a fine mist. It’s time now to wake early and watch the birthing of these golden days.

This painting was not the beginning. It started with various textures painted on two pieces of paper. The first (below) was a class demo/sampler of different acrylic textures, with pumice and sand and molding paste. It got very confused the more I tried to “finish” it.

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See what I mean? I liked the mushroom (‘shroom) theme and cut this painting up.

Can you find the mushroom (later modified somewhat) that landed in the first painting when this one (above) was cut to pieces?

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Now I have such an abundance of choices to collage into yet another painting in the series.

I also went through my collage file to find other elements that could be added.  Can’t wait to work on this some more. It’s an invitation to “build” another painting with the most interesting materials.