What is it about pumpkins and autumn? Is it the pie? or the color orange which we experience as sun saturation that warms the belly and the soul? Is it orange’s tendency to make a blue sky electric?
I think I’ve probably painted pumpkins every year since my beginning in watercolor in 1992 and possibly even longer. So when the local sketchers got permission for a private access to what I’m guessing is the primo pumpkin harvest farm in the county, Ashley Creek Farm, I couldn’t wait!
The farm was getting ready for the hoards of pumpkin-loving families to arrive for their season opener, when their field fills up with carloads and they sell pumpkins so fast that they are constantly replenishing them from the fields nearby. It’s not just the pumpkins that draw folks, but the idyllic and beautifully cultivated farm by a creek with hundred year old trees and house.
I was drawn to the contrast of blue-green to orange and red pumpkins and orange tractor! and anxious to practice with my new bamboo pen and India ink, followed by the Derwent Line and Wash palette.
And while I was sitting there painting I kept glancing over to the farmer who was feeding the cows and driving the tractor. He was a much older gentleman who walked with a cane and moved through his farm chores slowly and with great care. I was delighted when he came over to see the art makers and show interest and gratitude for our efforts.
And so I got to hear Robert Sand’s story of moving in the 1950’s to Tumwater, Washington from eastern Nebraska where he grew up on a farm. He raised 6 (or 7) children on this farm, teaching them the work ethic of farming.
He wanted to join us for our “critique” time after sketching and shared specific appreciation for each of our sketches, charming us all!
But Robert was not the only art lover. His black kitty stole the show by making a big deal of the art, particularly Ineke’s lovely sketch of the house!