Portrait Art for Sanity Sake |

watercolor on beige toned paper in Stillman + Birn NOVA TRIO sketchbook

I always learn a thing or two from Canadian artist Margriet Aasman on Sktchy. In the demo that inspired this portrait of mine she used red and blue pencils for some strategic lines and then proceeded with watercolor. It just really perked things up! along with some white accents on the toned paper. The hard part, as always, was getting the nose in the right place in this slightly off center pose.

It was easier to draw the second time. Figured I’d try it again, this time with gouache, for me a more difficult medium.

Honestly I almost gave up on gouache again, enough to throw caution to the wind with the hair. And that turned out to be my favorite part! The lesson in this, as always, is relax, take a chill pill. Painting is not meant to be torture.

Another of the Sktchy lessons in the 30faces30days March series was with a Russian artist Michael Solovyev. He uses the strangest scraggly looking brushes and makes it look like magic. He kept saying you don’t paint the figure, you paint the light! By the end I was ready to give it a try. He’s right of course. The other brilliant thing he said was to keep the contrast down in the shadow areas.

colored pencil, watercolor on gray toned paper

Then Andrew posted a picture on Sktchy and I couldn’t resist painting it. I got this far and it was really looking like him and that scared me. So instead of adding more paint and possibly ruining it, I stopped and photographed it. The look is androgenous and angelic, neither of which I would use as adjectives to describe my son.

So I kept going, and then stopped again. The values weren’t right.

So I added darker value to the side of his face and called it quits. It’s always an arbitrary stopping point. I run out of patience, time, skill, whatever and it’s time to move on!

The NOVA Trio toned paper sketchbook has three tones: Grey, Black, and Beige. For a while the beige was my favorite, then grey, and now black!! I love the drama of it, and by the time I finished this one, I’d decided to go over to the gouache side for a while.

And today Andrew and I both decided that gouache is where it’s at. It’s F’in lit! (Can you tell I’ve been hanging out with a 28 year old?) I mean, so much drama at your finger and brush tips! especially on black toned paper.

Meanwhile we’re showing our house for sale, which means vacating the house a bit each day after making everything shipshape. Even a bit of art making helps keep us sane.

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