Are you doing Sktchy’s 30 faces in 30 days ? I don’t think I’ve ever completed one of these 30 day art challenges, having religiously sketched something every day, but so far this month, four days in, I’m on it!
Of course when you’re sheltering in place it helps to have the motivation of being told what to do every day. And the great thing about this 30 faces/30 days is that you have a teacher’s demo to watch every day. I like to watch while I’m drinking my morning chai.
graphite on toned paper (gray actually, though it doesn’t look so here)
The suggestion on Day 1 by teacher Mike Creighton was to do three quick sketches, 5 min, 10 min and finally 15 minutes to warm up and improve with each try. I just rarely give myself the opportunity of repetition and it really works.
Then I took the 15 min. sketch and added w/c and pastel, inventing the color since there was none in the picture.
Pitt artist pen and fountain pen on white paper, direct to pen
Day 2 the suggestion by teacher Dylan Sara was to draw directly in pen, slowly working around from shape to shape, and then use vertical hatching to do the shading. The picture of Jacob Palmer had wonderful shadow shapes to work with. I normally find hatching to be tedious, but actually this was quite fun and I realized that if I slow down enough, I can skip the pencil sketch and go right to pen.
watercolor, fountain pen, and white gel pen on toned paper
Day 3: The teacher Cecile Yadro chose a duel subject and demonstrated different ways of checking the drawing’s accuracy. I just loved that she chose an old woman as a subject rather than some hip young person for a change. I can relate to the veiny hands! There was no need to paint in the stripes on the cat and the woman’s coat. I think the story was already told without. The woman loves her cat and the cat, well, goes along with it.
Day 4 (today) the teacher was Vin Ganapathy, and his lesson was to start with a fast and loose contour drawing (outline without lifting the pen off the paper much) and then work on salvaging the inevitable errors by putting in finer details. The picture was a bit wonky, but that made it more like sketching a caricature, which was fun! I chose paint over hatching for the shadow because it saves so much time! (I can see how the same toned gray paper looks a different color in each picture. I guess due to ambient light in the room.)