This is a belated postscript about the 10 X10 Urban Sketchers workshop I taught May 26 titled “Sketch the Vignette”. I was drawn to this topic because I have a habit of getting carried away and taking on too much in my sketches. Designing the vignette keeps me disciplined by isolating the main subject and focusing attention on it.
I like Edgar Whitney’s definition: “A vignette is a piece of subject matter in a well designed piece of white space.”
We started by warming up in my favorite way with continuous line drawing. Keeping the pen on the paper is the best way I know to track your subject without losing your place!
For the workshop exercises we spread out in a one block area in Petaluma where there’s lots to sketch, both inside the Old Petaluma Mill and outside. Some sketchers picked the river and old railroad ties and bridge, to the right of this picture. The first exercise was to find at least five subjects to focus on, doing a quick capture sketch of each and naming them. This helps to commit to a focus so that you’re more likely to stick to the point.
Then students were encouraged to place the subject matter in context and design the white spaces around the subject by identifying interesting edges.
Lastly we accented the sketch with color. I did a demo of this spot which I love for the colorful umbrellas (also the food!) while students observed, so we could also discuss watercolor application. Also we discussed rationale for what was left out of the sketch. This is often as important as what is put in. The name of the restaurant on the window was important, but I didn’t do any other detail on the window to not upstage the patio eating scene. The street lamp made for a more interesting white shape.
And then there was the final splatter! which everyone loves to do because it gets the eye moving and makes the scene more active. There was some interest in learning how to do it with control, but to me, control is antithetical to quick capture sketching! And I’m also not very good at it.