I’ll skip over the day spent at The Met and Met Breuer because otherwise this post will get too long. But it’s worth checking out (online) the exhibits I saw – Heavenly Bodies: Fashion and the Catholic Imagination, the dance performance of Gallim: (C)arbon, and my absolute favorite Like Life: Sculpture, Color, and the Body. There are videos to watch and so much of the exhibits shared on The Met’s website.
This is a scene I don’t get to sketch at home in Sebastopol! I was given a tour of Williamsburg, a hip Brooklyn scene, by Andrew and his partner Maura. Here the view of Manhattan across the river with its skyscrapers and brownstones. They even joined me for some sketching here!
There was a bit of thrift shopping to do (by Maura) and time for a quick standing sketch of Andrew while we waited.
and then a stop in the Levi’s store for Andrew to find some shorts. I was intrigued by 1) the new “logo” on t-shirts Button Your Fly and 2) the mannikin wearing high heals with cutoff shorts. ? ? A girl was machine embroidering patches to sew on jackets, another “latest” or is it “throwback”?
I begged off the next shopping stop, and they left me happily sketching in an empty dog park which had a bench facing this church with the onion domes. My direct watercolor was not working out very well, when along came a woman with her dog and sat directly opposite me.
I instantly abandoned my unfortunate domes and tilted the sketchbook up out of her sight of vision and drew like mad. A real authentic Brooklyn hipster, sitting still before me! I tried putting Grover in the sketch, but he was so ecstatic to be running free that he was just a blur that my model kept calling to. . .”Grover!” or was it Rover?
I must say I found the style in Brooklyn to be wonderfully free and creative. Not at all a scene where everyone was trying to look alike, but the outfits came across as artistic in that idiosyncratic way.
Looking out through the front window of And/Or Coffee here. (I forgot to ask what the and and or referred to). We needed to linger a bit, rest weary feet, and cool off.
The sketch strategy here was a fun one. Pick the things that catch your fancy and leave out the rest. Then add selective color. There were hardly any people to distract, just a colorful slice of a city corner. I never found out what the sign “You’ve Got Nail” referred to or explored the exotic “Dilruba Grocery”.
And that’s the last of the Brooklyn sketches. Next day I hugged Andrew and Maura goodbye and was off in an Uber to Newark airport. My driver was a friendly smiling young man Andrew’s age from the mountains of Ecuador with a fascinating story I would tell if this weren’t a sketch blog!
Back to airport sketching. Two characters sitting on the same row of seats, both on cell phones, of course. The older gentleman on the left took off his hat on the plane to reveal a yarmulka.
Well, that’s the end. Please forgive the uneven coloration on these pics. My scanner is temporarily not working. I put 95% of my sketches from the trip in this story so you might understand that travel sketching is not about making perfect little paintings but about capturing the moment in the time you have. The sketch installs the memory with all the sensory data, so you never forget. Not sure how that works, but it does! Thanks for coming along with me.
Maybe your aim was not to make “perfect little paintings”—but you did just that! You are an urban sketching genius.
Judi in LA (also ex-NYer)
Sent from my iPhone
Always love your sketches! It was great to come along on your trip!