Taking sketch breaks is a perfect way to to avoid the tired feet and visual overload that usually happens to me at a major art museum. The San Francisco MOMA was our destination last Thursday and the Matisse/Diebenkorn exhibit. Rather than trying to head home before the rush hour, we stayed through dinnertime and benefitted from a more relaxed approach.
Lamy Joy fountain pen and watercolor in Beta series Stillman + Birn sketchbook
If you feel a bit like you’re on a ship while looking at this, then I achieved my goal of communicating my experience of Snohetta’s architectural design for the new expanded MOMA. There are so many interesting angles, both inside and out, that one needs to continually re-balance to stay grounded. Perhaps that’s what happened to the bronze statue, which I sketched in an effort to reconnect with gravity.
I made it through the exhibit about five minutes ahead of my friends and got this much down before they showed up. It’s enough I think. Always better to only sketch what one sees. The mind fills in the rest.
If you watch an Alexander Calder mobile long enough, the up and down of perspective gets lost and you no longer miss it!
Looking up through the Occulus as the light pours down. It’s not a subject for a quick study, more an opportunity to record a tapestry of favorite visual moments.