Crazy Monoprinting

humantech

acrylic monoprint with collage on w/c paper, 10 X 11″

make human but don’t try too hard

it should come naturally

even in this tech-y age we are not Bots. . .yet

so make human

there’s no time like the present

whatever excites or worries you

that is human

own it. hash tag it. send it in email.

on its journey around the media sphere

it will make someone else human

even if they forgot they were

We played with monoprinting for a couple weeks in the Monday afternoon group, not with special printmaking inks or a press or even a real “plate” but with what we had on hand. There is such a uniquely appealing surface texture to printing like this, and there were lots of unique surprises that delighted (and at times frustrated) us.

landscapeprint

Landscapes appeared!

landscapeprint2

And sometimes the “ghost” print was the most intriguing. Sort of landscape-y, don’t you think?

crazyeasyprint

This was a “Crazy Easy Transfer Painting”.  I borrowed the idea from McElroy and Wilson’s book Surface Treatment Workshop. You paint on plastic, scraping away a design.  Let it dry, then coat your paper with polymer medium and put the plastic, paint-side-down on the paper.  Let that dry and then peal off the plastic and the paint has transfered.  Voila!  it IS crazy and easy.

This is the kind of art stuff we do all the time in the Monday Afternoon Muse Group in my studio (in Sebastopol, CA).  If you’d like to come in person,  a new 8-week series starts March 14 and there’s still openings! For more info and to register visit my website.

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2 comments

  1. Nice stuff. I’ve been having a great time the past two years or so with acrylic monoprinting for the purpose of creating raw material for collage work. Glad to see I’m not alone (not that I thought I was). 🙂

    Like

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